Tag Archives: It’s Alive

It’s Alive! Part II (Salem, MA)

 

Date Of Visit: October 8, 2017

Location: Peabody Essex Museum, 161 Essex St, Salem, MA

Hours: Tuesday – Sunday, 10:00 – 5:00.  Closed Monday

Cost:

Adults $20, seniors (65 and over) $18, students (with ID) $12, Youth (16 and under) and Salem, Mass. residents (with ID) admitted free*. (*Does not apply to youth in student/tour groups.) For late nights, $12 after 5 pm.

*events and some exhibits may be have a separate fee*

Parking: there are several parking garages in Salem ($20 to park the entire day this time of the year),  The best one to park at for this exhibit is the Museum Place Mall parking garage on Church St as it is directly across from the Essex St entrance of the mall.  You may also find limited street parking if you’re lucky for .75 an hour, 4 hour max.

Dog Friendly: No

Website: Peabody Essex Museum

Highlights: collection of movie posters and memorabilia from vintage sci-fi and horror films, videos and music of Kirk Hammett and Metallica

Tips:

  • The entrance is on Essex St (not Charter St)
  • You can view the impressive Yin Yu display at the museum for an extra $6 a person charge.  It is worth the extra fee (and you will see why soon)
  • This exhibit is running until Nov. 26, 2017

Welcome to the second installment of the It’s Alive! exhibitif you dare.

There’s no better way to get yourself in the Halloween spirit than being in Salem, MA and viewing horror/sci-fi movie memorabilia.  It doesn’t hurt when you have the melodic sounds of Metallica playing in the background.

If you missed Part I you can find it here.

Now that we’ve covered most of the notorious movie villians (Dracula, Frankenstein, et al),  let’s get to view some heroes of these film genres.  Just kidding, here’s more villians!  Below are some famous stories with a different twist.

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In this unusual take on a Shakespeare story, Hamlet (1921) has a more violent twist.

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Belle at la Bete (Beauty And The Beast) (1946).

Cats, especially black cats, play a significant role in horror movies, and not usually in a good way.

From left to right: Tomb Of Ligeia (1965) and Mysteriet Svarta Katten (“The Black Cat) (1941)

These movie posters all have a unhealthy relationship (for instance, Norman certainly loved his mom).

Clockwise from the top left: I Married A Monster From Outer Space (1958), Psycho (1960), The Horror Of Party Beach: The Curse Of The Living Corpse (1964), Island Of Lost Souls (1932), The She-Creature (1956) and The Disembodied (1957)

The following movie posters all seem to deal with the demonic or demented

From left to right: Repulsione (1966), Rosemary’s Baby (1968), The Exorcist (1973), Whatever Happened to Baby Jane (1962)

The following movie posters have to deal with sci-fi and alien monsters

Clockwise from left to right: Barbarella (1968), It Conquered The World (1956), the original art work for The Day Of The Triiffids (1963) The Day Of The Triffids (1962), Doctor X (1932)

These movie posters are for Creatures (people from New England, especially Massachusetts and New Hampshire, may remember from the Creature Double Feature movie shows on channel 56 on television) .

From left to right: King Kong (1933), Mothra (1962), Tarantula! (1955) and (of course) Godzilla, King Of The Monsters! (1956)

These zombie movies came out before the current Walking Dead craze began.

Clockwise from the top left:  The Walking Dead (two movie posters from 1936), White Zombie (1932), Zombies: Dawn Of The Dead (1980), Night Of The Living Dead (1968) and  I Walked With A Zombie (1943)

The remainder of the movie posters fell into a “miscellaneous” category.

Clockwise from the top left: The Cabinet Of Dr. Caligari (1920), The Beast With 1,000,000 Eyes (1955), The Crawling Eye (1958), Metropolis (1927), The Old Dark House (1932), The Whispering Shadow (1933), The Invisible Ray (1948), King Kong Vs. Godzilla (1977), Murders In The Rue Morgue (1932), Mystery Of The Wax Museum (1933), Attack Of The 50 Foot Woman (1958), I Was A  Teenage Werewolf (1957), Barnum (Freaks) (1932), The The Return Of Chandu (1934) and Notre Dame de Paris (circa 1924)

Now, lest how you think that is all that is on display at the It’s Alive! exhibit, think again.

There are also a number of statues, figures and oh, well, I don’t want to give it all away straight away.

Similar to the movie posters, the prints and artwork of the movies are displayed in a separate section.  Now, these, to me, are the real art of the exhibit.  While the movie posters are impressive and cool, the prints have so much detail and you can see the craftsmanship involved.  I loved them.

Clockwise from the top left: The Mummy by Basil Gogos, 1969, Lon Chaney as Phantom Of The Opera also by Basil Gogos, 1958, Dracula by Basil Gogos, circa 1970,  Vampyr by Erik Aaes, 1932, Dead Of Night by Frank Frazetta, 1964, The Berserker by Frank Frazetta, 1967 and Dracula Meets The Wolfman by Frank Frazetta, 1966

There are also suits and clothing from these vintage movies as well as life-like, real sized statues of movie stars and characters.

The mannequin above is a statue of Bela Lugosi.  The mannequin is wwearing the jacket and vest Bela wore in The White Zombie (1932).  The figure of Bela Lugosi was made of silicone by Mike Hill in 2010.

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What a scary suit!  This prop suit was from the movie Invaders From Mars (1953).  It was made by Norman Koch, Olive Koenitz and Gene Martin of the Western Costum Company.  It is made of plush cotton, zippers, metal, painted papier mache and wool.  It is 7 feet in length.

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This “saucer-man” figure from Invasion Of The Saucer-Men (1957) was made by Monster Effects in 2011.  It is made of paint, metal and fiberglass.  Paul Blaisdell created this pop collar on the suit.

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Mike Hill created this Boris Karloff figure in 2010 out of silicone.  The suit is the same suit Karloff wore in The Black Cat (1934).

Quite a collection, huh?  Well, believe it or not, there’s more!  Please join for the third and final installment of this series coming soon!

Salem was teeming with dogs during my visit (you’ll soon see why).  I saw Bella (on the left), a 1 and a half year old Akita, dressed as Batman and Seger (on the right), a 2 and a half year old Cattle dog mix, dressed as a prisoner after I left the museum.

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Below is a video of the It’s Alive! exhibit courtesy of Derek Millen.  He’s a pretty funny guy!  The video portion of the It’s Alive!  exhibit begins at around the 3:13 mark of the video (I have set up the video to start at the It’s Alive section of the video).


It’s Alive! Part I (Salem, MA)

 

Date Of Visit: October 8, 2017

Location: Peabody Essex Museum, 161 Essex St, Salem, MA

Hours: Tuesday – Sunday, 10:00 – 5:00.  Closed Monday

Cost:

Adults $20, seniors (65 and over) $18, students (with ID) $12, Youth (16 and under) and Salem, Mass. residents (with ID) admitted free*. (*Does not apply to youth in student/tour groups.) For late nights, $12 after 5 pm.

*events and some exhibits may be have a separate fee*

Parking: there are several parking garages in Salem ($20 to park the entire day this time of the year),  The best one to park at for this exhibit is the Museum Place Mall parking garage on Church St as it is directly across from the Essex St entrance of the mall.  You may also find limited street parking if you’re lucky for .75 an hour, 4 hour max.

Dog Friendly: No

Website: Peabody Essex Museum

Highlights: collection of movie posters and memorabilia from vintage sci-fi and horror films, videos and music of Kirk Hammett and Metallica

Tips:

  • The entrance is on Essex St (not Charter St)
  • You can view the impressive Yin Yu display at the museum for an extra $6 a person charge.  It is worth the extra fee (and you will see why soon)
  • This exhibit is running until Nov. 26, 2017

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Metallica in a museum.  Something doesn’t sound right.  But, don’t be so quick to judge.  They actually go together like big hair and a hot guitar solo.  But, don’t wait too long to see it.  This exhibit is only being shown until Nov. 26.

Kirk Hammett and the Peabody Essex Museum, located in the heart of Salem, have teamed up to showcase his movie poster collection.  Now, before you scoff at this exhibition, you must realize just how vast his collection (there are hundreds and I photographed them all).  But his collection goes far beyond just movie posters.  His collection includes movie props, life size figures and oh well I don’t want to give it all away just now.  Suffice it to say, I want a room like this in my next home!

One of the truly interesting aspects of the exhibit is the stories behind the memorabilia.  There are movie posters which were either thrown out, papered over or left behind by theater owners or production companies with little or no concept they may be sought after items so many years later.  There are cheaply made movie props which are very valuable now.  And there are the games and action figures most of our moms threw out when we outgrew them but are very valuable either sentimentally or monetarily.  If only I held on to those Luke Skywalker figures.  I even cut the hand off one so it would be more “life like” (spoiler alert).

For better or worse, depending on your point of view, you’ll be hard pressed to find a movie poster from anytime after two very successful movies from the late 1970’s.  I thought it was great being a fan of older horror movies.  Plus, I also found out about some movies I wasn’t aware of that I can check out now.  I think this will be the case for most visitors at this exhibit which is a great thing when you think about it.

There’s also the music and some of his guitar collection.  A video of Kirk explaining hs collection and samples of his music playing on a loop while you admire his sci-fi and horror movie memorabilia give the exhibit just the right feel.  The music complements the memorabilia perfectly.  Hearing Kirk’s riffs on For Whom The Bell Tolls…as you view the assortment of zombies, vampires and other other worldly beings is the pure bliss.  One thing I noticed was how they seemed to re-use the same actors for horror films, even if it was for different movie monsters.  Talk about being typecast.  Poor Boris Karloff!

Metallica and movie posters equal a very happy Nomad indeed.

A couple of things.  Firstly, I wanted to post this on Friday the 13th for obvious reasons.  But, as I am typing this, it does not look like I will make that deadline.  And, secondly, due to the vast amount of posters and memorabilia, I am going to have to break this post into two or possibly three parts.

The movie posters are hung with care by category. such as “the undead”

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and darker fiction (this move scared the hell out of me!)

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You would have to try very hard to not notice the advertisements for the exhibit.  Of course, I couldn’t resist asking one of the staff there, “So, do you have an ‘It’s Alive!’ exhibit?”  The sarcasm was not lost on her.

 

Upon entering the exhibit, you are greeted with a short clip of Nosferatu

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You are then directed to the rest of the exhibit, where another sign states my three favorite words, yes, “photography is encouraged.”  Were you expecting something else?  OK, “dinner is served” is a close second.

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The exhibit begins with a movie prop called a Zapatron made out of aluminum, iron, bakelite, paper, paint and casein-formaldehyde resin by Kenneth Strickfaden.

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The movie poster collection begins appropriately enough with one of the most recognizable and perhaps even beloved characters, Frankenstein and the various offshoots from that movie franchise.

 

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Frankenstein, 1931.  This three sheet poster was discovered in the boarded over projection booth of a remodeled theater.  It eventually found its way into Kirk’s hands.

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This is another poster for the 1931 Frankenstein.  

 

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Yet another movie poster for the 1931 Frankenstein film.

Although the exhibit was set up well, it’s impossible to not have some reflections and lighting that may hit the posters in an unflattering way and , of course, using a flash under these circumstances would actually make it worse.  I also had to take some photos from a certain angle that minimized glare and reflections from showing.  So, it did make some of the photography challenging and time consuming as I had to check each image on my screen before I moved on to the next poster.  But, I still loved doing this shoot!

In the interest of saving space and time, I am going to try to combine the photos from each genre into groups of photos.  The remaining photos from the Frankenstein group are popular offshoots of the Frankenstein movie franchise like The Bride Of Frankenstein.

 

Clockwise from the top left: The Bride Of Frankenstein (three posters from 1935), Frankenstein Meets The Wolfman (1942), Abbot And Costello Meet Frankenstein (1948), Son Of Frankenstein (two posters from 1939) and Frankenstein (1931)

The next group of movie posters were  related to the Mummy movies.  Much like the Frankenstein franchise, mummy movies have been a staple of any horror fan’s collection.

 

Going clockwise from the top left: The Mummy (two posters from 1932), the Swedish release of The Mummy titled Mumien Vaknar (1933), The Ghoul (1933) and The Mummy’s Tomb (1942).

Of course, what would a movie monster memorabilia collection be without Dracula and his various copycats or copy bats?  Sorry. I couldn’t resist.

 

Clockwise from top left: Nosferatu (circa 1931), Dracula (three posters from 1931), Blacula (1972), Mark Of The Vampire (1935) and Dracula’s Daughter (two movie posters from 1936).

Werewolves have always been a mainstay of the horror genre.  This is no different when it comes to movie poster collections.

 

 

Werewolf Of London (both from 1935)

These films are not related but I grouped them together for the sake of saving space and because the posters looked similar.  As a side note, I’ve been described as being like the poster on the right from time to time.  OK, I’ve said too much.

 

London After Midnight (1927) and Dr. Jekyll & Mr. Hyde (1932)

These two movie posters are from movies that were based on two famous Edgar Allen Poe books.

 

From left to right: The Raven (1935) and The Black Cat (two movie posters from 1934)

Aliens and outer space are another common theme in this exhibit.  Me thinks Kirk likes his sci-fi.

 

Clockwise from the top left: Invaders From Mars (1953), The Day The Earth Stood Still (1953), Invasion Of The Saucer Men (1957), Alien (1979), Star Wars (1977), The Angry Red Planet (1960), The War Of The Worlds (1953) and When Worlds Collide (1951)

Creatures, particularly creatures from under the sea, are also prominently displayed at this exhibit.

 

From left to right: Creature From The Black Lagoon” (1954), It Came From Beneath The Sea (1955) , Monster From The Ocean Floor (1954).

There are also some posters of explorers who experience some adversity in different ways.

 

From left to right: Fantastic Voyage (1966) and II 7 Viaggio di Sinbad (The 7th Voyage Of Sinbad) (1959)

Sometimes I wish I could be this guy.

 

From left to right: The Invisible Man (two movie posters from 1933) and The Invisible Ray (1936).

While dogs are not allowed in the museum (with the possible exception of service dogs), I did see Churchill, a 2 year old Great Pyreneese on the way to my car.

Well, I hope I have whet your appetite for more movie posters and maybe a few other types of memorabilia which I will include in part II of this movie poster series.

Thank you for reading and I’ll see you soon…hopefully!

Below is a video of the It’s Alive! movie poster kick off event with a discussion of the collection led by Kirk Hammett.  (video courtesy of Radio Of Horror)