Category Archives: Boston

ICA-Part II (Boston, MA)

*This is Part II of my 2 part series about the ICA Museum in Boston, MA.  To view the first part please click here*

In addition to the works of Nari Ward, the ICA displayed art exhibits from a variety of other artists.  One of these artists is Dana Shutz’s.

Dana, an American artist based out of Brooklyn, is widely known for injecting humor into her gestural paintings.  She  has studied art extensively , even studying abroad at the Norwich School of Art and Design in Norwich, England.  While not all of her work had a description of their meaning or intent, I think many of them are fairly self-explanatory or, at the least, left to our own interpretation.

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Elevator On Canvas, 2017, oil on canvas.  This work is part of a series of paintings of an imagined struggle between larger than life figures and giant insects glimpsed between the gleaming doors of an elevator.  Besides addressing people’s claustrophobia, the art may speak to the current heated debate, inner struggles or struggle for attention within the public arena.

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Conflict, 2017, oil on canvas.  This work portrays a quarrel, possibly between lovers, The couple in the painting are both embracing and fighting at the same time.

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To Have A Head, 2017, oil on canvas.

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Shame, 2017, oil on canvas.

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Shaking Out The Bed, 2015, oil on canvas.  This 18 foot wide canvas recalls the Western tradition of history painting.  This painting differs from most history paintings in that it does not highlight noteworthy men and women in our history.  Rather, her painting consists of everyday items that revolve around people in bed.  All of the things we use and, dare I say, rely upon on a daily basis.  A calendar, an alarm clock, day old pizza (a must) and a glass of water are some of the items Dana included in her painting.  Dana said she “wanted the whole painting to feel like a book that was being opened, like you were shaking out of bed and all of the objects contained within are falling and suspended in front of the scene.”  She went on to say she wanted to convey the feeling that “you just missed the alarm and the world is coming back to you in pieces.”

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Flasher, 2012, oil on canvas.

In addition to Shutz’s work, there were a number of other artist’s work being displayed at the ICA.

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Trace, 1980, by Nancy Graves made of bronze, steel, polychromed patina and paint.  Trace depicts a dynamic, wind-blown tree with its bright-green forked trunk rising from a red and brown ground and curving toward the top.  The amorphous crown of leaves is composed of layered, multicolored sheets of steel grating punctuated with geometric lines and grids.  Graves likes to inject nature and the natural world into her works.

Hidden Relief, 2001, by Sarah Sze made of a halogen work lamp on tripod stand, rulers, spring clamps, levels, plastic, styrofoam, bamboo, toothpicks, branches, bottle caps, string, artificial plants, artificial moss, T-square, Alligator clamps, T-pins, cotton swabs, pushpins, dried plants, paint and glass (or pretty much everything but the kitchen sink).

Sarah uses everyday items, like the items included in this display, to create site-specific sculptures and installations that take on the character of landscapes, architecture and improvisational systems.  She used a sample palette of white, orange, yellow, blue and black throughout the work which is brightened by work lights.  Sarah also drew diagram-like lines using pins and string in this work of art.

 

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Depose II by Keith Sonnier made of nylon sailcloth, metal.  This inflatable design balanced a ready made aesthetic with painted geometric elements.  The inflatable part of the sculpture assumes an anthropomorphic form that, when mixed with air from the blower, suggests a living being.  Initially a limp sack, the sculpture must breathe and expand to assume its final form. The title references the act of being deposed, wherein a person is required to give oral out-of-court testimony. The person being deposed is often asked exceedingly personal questions. Perhaps the pinched or pressed inflatable alludes to the feeling of duress that might arise from having to tell the truth in a compromising situation.

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Untitled (Topanga, CA, Umbrella 17) by Sam Falls made of nylon.  Untitled displays the fabric of an umbrella without the support and pinned to the wall.  Sam exposed some of the umbrella’s nylon panels in the California sun for a prolonged period of time.  Then, he interspersed the faded panels with panels that had been kept out of the sun causing a contrast in the colors of the sculpture.  Sam’s work of art invites speculation about the elements of time and change in art and nature.

The intermediate-Inceptive Sphere, 2016, by Haegue Yank made of artificial straw, steel stand, powder coating, artificial plants, artificial fruits, plastic twine, Indian bells and casters.

The Intermediate-Inceptive Sphere is an anthropomorphic sculpture that belongs to a series of woven straw works titled The Intermediates.  The sculpture is adorned with items such as bells that are meant to hang from the necks of cows in India and Korean bridal headpieces.  The work of art also invokes Asian folk cultures, shamanic figures and their rituals.  Haegue used plastic straw to foreground the tension between the organic and synthetic in contemporary life.

Ashes, 2017, is a video by acclaimed director Steve McQueen.

Ashes presents footage on two sides of a freestanding screen. One of the sides, originally shot on soft, grainy Super 8 film, shows a young, carefree fisherman named Ashes balancing playfully on a boat. The other side shows a second projection, shot in 16 mm film, that shows Ashes’s unexpected fate. The videos conjure an easy vitality and a vivid description of place against the darker forces of society and fate.

The last, but not least, attraction at the museum is the view.  Full length glass windows give stunning views of Boston Harbor.  I bet it must be spectacular during sunsets.

On the way to the train station, we met these dogs taking a stroll along the boardwalk at Fort Port Channel.

Emmerson, a 13 year old Shetland, was very comfortable in his stroller

Archie, a 10 year old Yorkie peeking out from behind Emmerson, decided to get out and walk around.

There were also some pretty views of Boston at night along the way.

Today’s featured blogger is The Culture Club.  The Culture Club visited the ICA recently.  I thought his post would be a good companion to my post since he may have photographed pieces I may have missed or weren’t on display when I visited the museum.  You can find his post here.  The Culture does reviews, writes about music and entertainment and he’s got a cute dog!

 


ICA-Part I (Boston, MA)

Date Of Visit: August 25, 2017

Location: 25 Harbor Shore Drive, Boston, MA

Hours:

Tuesday + Wednesday: 10 AM – 5 PM
Thursday + Friday*: 10 AM – 9 PM
*First Friday of every month: 10 AM – 5 PM
Saturday + Sunday: 10 AM – 5 PM

Closed Mondays, except on the following national holidays, when admission is FREE for all: Martin Luther King Jr. Day, Presidents’ Day, Memorial Day, Labor Day, and Columbus Day.

Closed on Patriot’s Day, Independence Day, Thanksgiving, Christmas, and New Year’s Day.

Cost:

General Admission: $15
Seniors: $13
Students: $10
Youth 17 and under: FREE

Admission is FREE for all eve

Parking:There are several parking options that are listed at their ICA parking info

Highlights: creative art displays, info sessions about the art

Tips:

  • parking is very limited in this area.  The museum recommends using public transportation.
  • The museum only has art on the 1st and 4th floors of the building (mostly the 4th floor)

Website: ICA

*I had to split this post into two parts, as it was too big for WordPress to save.  Part I of this post will center upon the works of the featured artist Nari Ward.  The second part of this post will focus on some of the other art at the museum.  I have also included half of the number of the cute dogs I photographed during this visit*

 

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Always at the intersection of art and social issues, he ICA (The Institute of Contemporary Art/Boston) recently highlighted the works of an artist who uses his art to make various statements about our social, economic and political climate.  Even if you may not agree with or see his points of view, I am sure you will enjoy his artistic aptitude.

During my visit, Jamaican and American Nari Ward’s work was being featured in his “Sun Splashed” exhibit at the museum.

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Sunsplashed, 2015, is the centerpiece of the art exhibit.  The second work of art is called, Scandal Bag: History Feeds Mistrust.

Nardi, born in 1963 in Jamaica and currently based in New York City, uses everyday items to create works of art that play on the history, economy and social issues surrounding his environment.  He also embraces cultural diversity.

Nari uses wood, metal, iron and other materials with everyday items such as soda bottles.  Nari hits on some hot button issues such as migration, citizenship and economic disparity in his works.

One of the things that struck me about these works of art is the thought and creativity that went behind all of them.

The We The People exhibit by Nari Ward was one of the main works of art at the ICA.  In fact, many of his works of art are being featured

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If you look very closely, you may notice it is not written in ink.  Rather, it is spelled out in artistic dangling shoelaces.  This exhibit was being displayed a block away from the museum.  It surely created a lot of interest and lured in quite a few visitors eager to learn more about Nari’s works of art.

 

Below are Nari’s works of art that were being displayed with a brief description and explanation of their meaning.  Sadly, his art is no longer there as the exhibit’s last day was September 3.  The first work of art is rather unconventional.  But, it was very interesting.

 

Jacuzzi Bed by Nari Ward is made of headboards arranged around heating lamps and fans.  The work of art is meant to produce an approximation of the Caribbean breeze.  The name is meant to conjure association with pleasure and comfort.  Nari says the work conveys his sense of nostalgic displacement.

 

Sky Juice, 1993, is made of an umbrella, iron fence, plastic soda bottles, photographs, Tropical Fantasy soda and sugar.  The soda bottles, hanging from the umbrella, have photos inside of them.  His goal was to create a work of art with disparate things from everyday life to create a work of art everyone can relate to.  “Sky Juice” is the name of a Bahamian drink made from coconut milk and gin (yum).

During my visit, one of the museum guides led an open discussion about the work of art where visitors and she discussed the deeper meaning of the work of art and what the work of art means to them.  She did this several different works of art during my visit.

 

Mango Tourist, 2011, by Nari, are “snowman-like” sculptures are made of burnt foam spheres that he decorated with mango seeds and small electrical parts.  The small capacitors bear traces of the economic and industrial history of New England and of course the snowmen are a staple of our winters.  The organic mango seeds resonate with his memories of Jamaica.

 

Happy Smilers: Duty Free Shopping, 1996, by Nari is made of awning, plastic soda bottles, fire hose, a fire escape, salt, sand, household elements, an audio recording, speakers and an aloe vera plant.  Party music and background conversation from the speakers gave the display a feeling of sitting on a fire escape on a hot summer night.

This exhibit was inspired by a candy store not far from where he lives in Harlem, New York.  While the store appeared to be a convenience store, it was really the site of a small scale gambling site.  This gave Nadir the idea of making an exhibit that shows you can’t judge a place, person or thing by outside appearances.

The name Happy Smilers was derived from a band that was led by Nadir’s uncle that entertained tourists in Jamaica in the 1970’s.  The fire escape and discarded furniture wrapped in fire hoses suggest an urban tableau.  The salt and sand, aloe vera plant, speakers and bright yellow walls are drawn from the cultural context of Jamaica.  The salt evokes a common Jamaican expression about the devil not being able to step over salt.  The succulent symbolizes healing.  Lastly, the soundtrack symbolizes one of the artist’s earliest childhood memories of lying in bed at night while he listened to rain fall on his tin roof in Jamaica.

 

The Naturalization Table is an exhibit based on Nari’s personal experience of becoming a naturalized U.S. citizen, this interactive artwork gives museum visitors a better understanding of that process. During certain days, visitors could add their photo to the display.

 

Radha Liquorsoul, 2010, is a metal and neon sign made of PVC tube, artificial flowers, shoelaces and shoe tips.  This was part of a work made from out of use liquor store signs that Nari removed from building facades in New York.  Ward was interested in the many uses and impact liquor has in our lives.  Nari also used shoe tips (which Nari considers a a signature material that symbolizes human presence), shoelaces and artificial flowers.  Nari was partly inspired by impromptu street or roadside memorials.

 

Homeland, Sweet Homeland, 2012, is made of cloth, plastic, megaphones, razor wires, feathers, chains and silver spoons.  The “Miranda Rights” which are listed on this work have appeared as a running theme on many of Nari’s works.  The combination of razor wire, megaphones, leather and gold thread with feathers were meant to evoke a kitschy domestic memento and a heraldic government edict.

 

Rock, Booked, Scissor, Vice, 2010, is made of book, rock, scissors and vice.  This exhibit was spawned from a mistake.  When Nari first saw the “Black’s Law Dictionary” as a child he thought there were different law dictionaries for white and black people.  Although his brother corrected, his initial thought stuck with him and inspired his work.    To create this work, Nari cinched the dictionary with a vice, pierced it with scissors and weighted it with a stone.  It is meant to symbolize a violent reenactment of the game “rock, paper, scissors.”  It is meant to represent the seemingly arbitrary application of the law experienced by people in many of the communities in America.

 

Savior, 1996, is made of a shopping cart, plastic garbage bags, cloth, bottles, metal fence, earth, wheel, mirror, chair and clocks.  Nari constructed the sculpture by utilizing the shopping cart, a common item, and using items to bling it up.  In the blue bag you can see clocks.  The sculpture had an accompany video titled, “Pushing Savior.”

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Iron Heavens, 1995, made of metal pans, cotton and wooden bats came from Nari’s observation that the holes dotting the the metal surfaces of certain baking pans look like stars.  Nari collaged pans together on a wall to evoke the night sky.

Nari used baseball bats to form a ground to the heaven above.  The bats were burned, sterilized and had cotton applied to their surfaces.  This was meant to convey violence and healing.  The materials were also used to signify the American South, especially the older south.  The cotton was used to signify slavery as that was the main crop slaves used to pick.  The baseball bats were used to signify the violence many blacks suffered.  The overall arrangement recalls the yard assemblages and sculptural folk traditions of the region.

 

Glory, 2004, consists of an oil barrel, fluorescent and ultraviolet tubes, computer parts, DVD audio recording, Plexiglas, fan, camera casing elements, paint cans, cement, towels and  rubber roofing membrane.

The tanning bed is made out of old oil barrels.  As this work of art was built one year after the Iraq attack, he used the oil barrels represent the political debates over the connection between oil and patriotism.

The oil barrel also signifies the issues related to identity and race.  While in some cultures, a tan is viewed as a mark of leisure and privilege.  However, “pigmentocracy” can ascribe a higher value to lighter skin tones in some societies.

As you stand by the Glory sculpture, you can hear recordings of voices and people talking in hushed tones.

 

Afroochase, 2010, made of ink, a found vinyl banner, cowrie shells, Afro picks and felt weatherstripping is built from a Chase Bank banner that he found mixed with various materials each of which have a symbolic meaning.

The cowrie shell has several possible meanings.  The shell has been used as a form of currency,  It is also used in divination ceremonies in African and North African and South African religious contexts.

Afro picks have been used as a symbol of black cultural identity and the shapes of the particular picks (the raised fist of the Black Power movement) refers to black nationalism and resistance.

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Crusader, 2006, is made of a shopping cart, chandelier, trophy elements, metals, plastic bags and plastic containers.

Crusader has been described as  a radiant poetic work that mixes the personal and political.  Nari used comedy to make a political statement about his feelings concerning the second Gulf War.  Oil plays a central theme in many of his works, evident by the oil canisters in this work.

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Beat Box, made of an old New York City payphone, a drum and a fire extinguisher was made as a way of showing the different ways people have communicated.  The old (the drums which have been used as nonverbal communication in some traditions ) with the modern (the payphone).  After Ward had modified the pay phone he put it back outside where it had originally came from.  Imagine the looks on the people’s faces when they tried to make phone calls!

 

I noticed how Nari likes to incorporate audio and videos into his exhibit.  This is only one example of this.  Those chairs look very comfortable!

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Den, 1999, made of wood, chain-link fence, metal pole, tacks, rug and wooden furniture legs

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Chrysalis, 2010, made of mirror, rope, foam, and a found paper bag

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Vertical Hold, 1996, made of yarn and bottles. This sculpture was made from old, used glass bottles Nari found at a dump site and some bottles he found while he was in residence at a Shaker community in Sabbathday Lake, Maine.  He wove the bottles together with string thus creating a web that he described as a quilt.  This work was inspired by bottle trees, a traditional African, Caribbean and Southern black sculptural form that was believed to protect against evil spirits.

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Canned Smiles, 2013, explores the intersection of art history and identity.  Nari was influenced by another artist, Piero Manzini.  Piero created Merda d’artista (Artist’s Shit) that consisted of 90 small cans labeled with the title that he sold.  The art exhibit by Piero was a sarcastic way of saying that anything that belongs to an artist is worth value.  It also was a commentary about how not all art may have merit.

Ward’s art display aims to question people’s perceived stereotypes and the reality of constructed values.  Nari used the Black Smiles idea to play on the minstrel shows which used to be popular in America during the 19th century.  The work inspires us to ask whether the notion of a smile trapped in a can is any more or less strange than the ideas we construct around identity.

During my visit, the ere was a social gathering on the desk of the museum.  Music, food and refreshments were being served and there were a number of therapy dogs at the event.

A “cuddle zone” was created by visual artist J.R. Uretsky.  The “Cuddle Zone” featured nine therapy dogs from Dog B.O.N.E.S. There was also quilted works for people to use as comfort aids.  You will also some of the dogs wore or sat on these quilted comfort aids.

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Hey, we all can use this kind of therapy!

In fact, the dogs were so popular and in such high demand, I was only able to photograph two of these special dogs.

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Spider is a 5 year old chihuahua.

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Ruby Pearl is a 4 year old pitbull.

Please connect with me on Facebook to view videos, links, articles, photos and other content not included on my blog.  Thank you!


Senator Joseph Finnegan Park (Dorchester, MA)

Date Of Visit: June 17, 2017

Location: corner of Taylor St. and Water St., Neponset area of Dorchester, Boston, MA

Hours: Open sunrise to sunset

Cost: Free

Parking: Parking is available by the main entrances on Water or Taylor St.  You can also park at Pope John Paul II Park on Hallet St or Gallivan Blvd as the trails for each park are connected

Park size/trail difficulty: 15 acres/easy

Handicapped Accessible: Yes

Dog Friendly: Yes

Highlights: scenic views, cycling/walking paths, wildlife

Website: Finnegan Park

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Bigger isn’t necessarily better.

Part of the Neponset River Greenway, at a scant 15 acres Finnegan Park is one of the smaller yet more charming parks to open in the Boston area.

Dedicated in May of this year, Finnegan Park is a small yet popular destination for anyone looking to get away from the hustle and bustle of the city it borders.

Some of the park’s more appealing features are the scenic views and birds that inhabit the area, if you find that sort of things appealing that is.  In the background you can see some of the residential buildings in the lovely Quincy, Massachusetts neighborhood. Egrets and Canadian geese are common visitors at the park.

There are also blocks of what looks like granite with words like “Charity” as well as the history of the area and descriptions of the wildlife in the area engraved on them.

One of the really cool things about the park is the train that passes by.  The very same train I take to work.

Named after former state senator and representative Joseph Finnegan who worked hard to revitalize the area, Finnegan Park is a great place to ride your bike, play hopscotch or take your dog for a walk.

 

 

Gladys had a fun time walking along the trails at Finnegan Park.

Finnegan Park is only one segment of the Neponset River Greenway.  In a future post I will be showing off another beautiful part of this project.

 

 

 


Sail Boston Tall Ships (Boston, MA)

Dates Of Event June 17-22, 2017

Location: Boston, MA

Cost: Free (if you take a cruise out to see to the boats as I did fees would apply.  It costs $35 for adults and $30 for seniors.  Children and students also get reduced rates)

Parking: Due to the increase in visitors (they are expecting 2 million or more people) parking is limited.  The closest public transportation station is South Station on the Red line of the MBTA (fares are reduced for this period of time while people visit the event)

Handicapped Accessible: Yes

Dog Friendly: Yes

Highlights: tall ships from all over the world in Boston Harbor

Website: Sail Boston

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Normally, when we see foreign boats in our harbor, it would be cause for alarm, especially given our past.  But, this group of ships from all over the world came in peace.

Millions have been predicted to descend upon Boston as we celebrate Sail Boston 2017.

To avoid the crowds and get a better view of the ships, I decided to book a boat on Mass Bay Lines to cruise by these majestic ships.  The boat was comfortable, wecould roam around the boat to get better views and we got so close to some of the freighters that we could wave and even shout to the crews on the boats.  In fact, some people on our boat shouted greetings in the language of the crew based on their point of origin.  I highly recommend taking a boat cruise if you plan on going to Sail Boston before the ships leave Thursday.

Our boat, The Freedom was docked at Rowes Wharf in the heart of the seaport district.

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The views leaving the pier were beautiful.

The first ship we noticed was the Europa.

From Netherlands, the Europa has a steel hull and has a rig height of 33 meters.  It was built in 1911.

When the ships did not have their sails up, it was difficult to identify them.  Someone did announce the names of the ships as we passed by them.  But, it was hard to hear him at times and it was also hard to keep track of them all.  I think this is Thomas E. Lannon, a 93 foot schooner from Gloucester, MA.  It was built in 1997.

This is the Esmeralda, the pride of the Chilean Navy.  Check out the condor on the figurehead.  To show just how different the ships look with and without their sails up, look at the photo below from the Sail Boston website.  Big difference.  Oh yeah, and their photography might be a little bit more professional.  Just a little though.

 

The Oliver Hazard Perry from Newport, RI, is a baby compared to most of the other ships from the Tall Ships festival.  It was built in 2016.

Again, it looks much more impressive with its sails raised.

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Alert is a 70 foot schooner from Bailey Island, Maine.  It has a wood hull and it was built in 1992.  I was able to get the ship in various stages of dress.

The Adirondack III is an 80 foot schooner from Boston, MA.  It was built in 1997 and it has a wood hull.

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The Schooner Adventure is from Gloucester, MA.  It was built in 1926 and it is 122 feet long.

When and If is another 80 foot schooner.  It is from Key West, Florida and it was built in 1939.

The Formidable is a brigantine from Boston, MA.  It is 72 feet long and was built in 2000.

I was hoping to see more ships, especially with their full sails on.  But, I still think we saw a variety of pretty ships and boats.  What really caught my eyes was the buildings and structures against the ships and boats in the harbor.

These kayakers may have had the best views.  But, I think being dry on the boat was better for taking photographs.

Dogs like the tall ships also!  Cole, an 8 year old poodle, and his mom came by to view the tall ships.

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Irish Famine Memorial (Boston, MA)

Date Of Visit: March 17, 2017

Location: corners of Washington and School St, Boston, MA

Cost: Free

Hours: Accessible everyday, 24 hours a day

Parking:Street parking can be difficult is this neighborhood.  Finding a parking garage is probably the best option.  Also, the Park St train stop on the Red Line is within walking distance (about half a mile) to the memorial.

Handicapped Accessible: Yes

Dog Friendly: Yes

While we’re celebrating Saint Patrick’s Day with our green beer and corned beef (pause for the collective yuck) it’s easy to forget about the history of the Irish people and the hardships that brought so many Irish here, especially to New England.

The Boston Irish Famine Memorial is dedicated to the Great Famine that gripped Ireland in 1845.  Potatoes, a main crop in Ireland, stopped growing, leaving many to go hungry and suffer financially as they could not sell their crops.  Mold was the culprit.  Since potatoes were the main crop in Ireland, many of the poor in Ireland suffered from the famine, with about one-eighth of the population dying from hunger or disease related to the famine over the following years. As a result of the famine, Irish immigration to the United States spiked with over 1.5 million Irish arriving on our shores. Boston was one of the main destinations for these new citizens and the Irish remain a prominent part of our community.

Robert Shure’s Boston Irish Famine Memorial displays the pain and, conversely, pride of the Irish people who have suffered so much.  It is a somber, powerful and inspiring display of the suffering and, ultimately, the ability of the Irish to overcome their “troubles”.

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The first statue, located on School and Washington streets, shows three people, presumably a mother, father and child, in the throes of hunger.  Shure was meticulous in his sculpture.  You can see how thin the figures are and, from certain angles, you can actually see the ribs of the figures.

The second sculpture shows three people, presumably the very same family healthy and happy.  Standing up straight and proudly, the family looks happy and healthy.  It is most certainly a sign of how all of us can overcome adversity and how the Irish have been able to withstand so much.

As an aside, I love the diversity of Boston.  Traversing through the memorial, I witnessed people of all walks of life and ethnicities.

A wreath and flower was placed by the Charitable Irish Society at the sculpture of the suffering family and on one of the figures of the memorial to commemorate Saint Patrick’s Day.

A series of 8 plaques encircle the memorial.  One of the plaques, entitled “Let’s We Forget”, gives a nod to the suffering and famines across the globe and how we continue to watch as others starve helplessly.

The bronze and granite memorial was dedicated in June of 1998, marking the 150th anniversary of the famine.

On my way back to the train station, I saw Brig, a beautiful Bull Mastiff.

Please connect with me on Facebook: New England Nomad

 

 


Lego Wall (Boston, MA)

Date Of Visit: January 5, 2017

Location: Next to Dunkin’ Donuts, 330 Congress St, Boston, MA

Hours: Accessible everyday, 24 hours a day

Dog Friendly: Yes

Handicapped Accessible: Yes

Highlights: Art display of Lego tiles in a brick wall

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You never know what you’ll see while you walk along our city streets.  Statues, dog, lego walls.  Yes, you read that correctly.  A Lego Wall!  But, this is not the first work of art to appear on a brick wall on Congress St.

Well, the display doesn’t look like a Lego display but more like a wooden cut out. The “Lego Wall” name is actually a holdover from an earlier display on Congress St.

After noticing a hole in a section of the wall on Congress St, a artist took notice and decided to do something about it.  Nate Swain, a former landscape architect, stealthily filled in the gap in the wall at 342 Congress St one Sunday night with a rather unusual material, Legos.

Weeks, months passed by while people stared, pointed, giggled and maybe weven shook their heads a few times at the work of art by an anonymous artist.  Until recently.

Nate Swain finally publicly came forward as the artist who created the first Lego Wall.  Imagine the joy he got as he walked past the display as other passersby scratched their heads or had a chuckle.  There’s nothing like being in on an inside joke.

Unfortunately, the parking lot which stood next to the Lego Wall has been closed to make way for “affordable luxury housing.”  Oxymoron aside, it also meant the Lego Wall had to go.

For some time, the brick walls of Congress St laid bare without a Lego Wall or any other work of art to admire or photograph for that magtter.  However, in December of 2016 a different artist decided to put her own work of art on display on Congress St.

Boston artist and writer Daisy Razor (not her real name), decided to put her own brand of art on the walls of Congress St (next to the Dunkin’ Donuts at 330 Congress St to be exact).

The art is still there as of post.  But, with our weather elements and other “forces of nature” (the original Lego Wall had been vandalized at least on one occasion) it’s unclear how long it will stay there. 

Fun fact: this trend of fixing up walls with Legos is not limited to the United States. German artist Jan Vormann has also used Legos to dress up some architecture he has come across in his travels.

Who would ever think there would be so much history and background to Lego art?


Ordinary Matter (Boston Convention Center, South Boston, MA)

Date Of Visit: January 12, 2017

Location: Boston Convention Center (415 Summer St, Boston, MA)

Hours: Reception was January 21, 2017, 6-8.

Cost: Free

Parking: If you choose to park in their garage:

Weekday Rates:
0 – 1 Hour: $12
1 – 2 Hours: $18
2 -3 Hours: $24
3 – 10 Hours: $28
10 – 24 Hours: $32
Weeknight Rates:
Evenings: Enter Mon-Fri, 4 p.m. – 6 a.m., Exit before 8 a.m.
0 – 1 Hour: $10
1 – 3 Hours: $14
Over 3 Hours (until 8 a.m.): $18
Weekend Rates:
Sat, Sun & Holidays – Enter after 6 a.m., Exit before 8 a.m. the next day. 
0 – 1 Hour: $10
1 – 3 Hours: $14
Over 3 Hours (until 8 a.m.): $18
Monthly Passes:
Monthly – Reserved (limited availability): $500
Monthly – 24/7: $375
Monthly – Weekday Only: $350
Monthly – Nights/Weekends: $150
(Mon-Fri, in after 4 p.m., out by 10 a.m.; Weekends & Holidays, all day)
There is sometimes metered street parking available or other parking garges in the area.
Also, the Boston Convention Center is within walking distance ( 1 mile) from the South Station MBTA stop on the Red line and about half a milr from the World Trade Center  Green Line stop)
Handicapped Accessible: Yes
Web Site: Ordinary Matter
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It’s amazing how the ordinary things in life can bring us so much joy and make us content.  But, such is the art exhibit now being displayed at the Boston Convention Center in South Boston, MA.

During my visit to the New England International Auto Show, I noticed some striking art work in the lobby of the Boston Convention Center.

Ordinary Matter is an art exhibit that celebrates the history of still life.  Still life art is said to have began in  ancient Egypt and later became popularized by Dutch still life painters.  Now, it is a big hit in Boston.

The exhibit featured 9 the works of nine Massachusetts artists whose works were hung in the lobby area of the Boston “Convention Center.

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“Still Life” (2011) by Patricia Busso is an acrylic on wood painting.  According to the placard next to the painting, Patricia says that painting reminds her to take time to absorb the natural world.  She hopes her work is evocative of the unassuming beauty she seeks in the natural world.

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Brett X Gamache’s “Fish On A Yellow Plate” (2010) is a photographic reproduction of oil on canvas.  Brett, who lives and works in Salem (MA), has a MFA from the University of New Hampshire and a BFA from Mass Art.

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“Britton Gyre” (2012) by Nicole Duennebier is a photographic reproduction of acrylic on wood panel.  A Hartford, CT  native, Nicole received her Bachelor in Fine Arts at Maine College of Art with a major in painting.  She says she saw a natural connection between the darkness and the intricacy of undersea regions and the aesthetic of 16th century Dutch still life painting.

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From a distance, this looked like a real shelf with mugs and other beverageware.  But, “Still Life With Seven Objects” (2010) is a photographic reproduction of oil on canvas painted by David Harrison.  He received his BFA in fine arts/painting from Maryland Institute College of Art.

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“Hidden Window” (2015) by Michael Zachary is a photographic reproduction of hand-drawn marks.  He holds a BA from Bowdoin College and an MFA from Massachusetts College of Art.  His work has been featured in many exhibitions such as the Lux Eros Gallery in Los Angeles.

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Why am I hungry all of a sudden?  “Checkout” (2015) is an ink and digital work of art by Corey Corcoran.  Corey earned a BA at Massachusetts College of Art and he completed a residency at Vermont Studio Center in Johnson, VT.  His work has been displayed at a variety of venues nation wide.

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“Wherever You Rest Your Head” (2015) is a photographic reproduction of crayon, ink, gouache, oil pastel and acrylic on paper by Elisa H. Hamilton.  Elisa is a graduate of Massachusetts College of Art and Design where she earned a BFA in Painting.  Her work has been shown in a varieety of exhibitions.

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“Sunflowers In Mason Jar” (2005) by Maureen O’Connor is a photographic reproduction of oil on wood panel.  She earned a BFA from Massachusetts College of Art And Design.  Her work has been shown extensively throughout the country.

 

 

 

 

 

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This reminds me, where did I leave my keys?  I know they’re somewhere around here.  Anyways,  “Clink” (2008) by J.B. Jones is an oil on canvas painting.  An architect by profession, J.B.’s works can be found in private and corpofrate collections throughout New England.  He says his goal is to “create paintings from which the viewer might bring back one small pearl of real feeling.”

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