Location: 4 Chestnut St, Salem, MA (about 30 minutes northeast of Boston, MA)
Universally Accessible: No
Cost: $40 per ticket ($50 if you purchase day of tour tickets)
Parking: There are several parking garages in Salem, as well as metered on street parking.
Summary: The home at 4 Chestnut St, another home of Deacon John Stone, was decked out for the holidays. They also let people tour the second floor!
John Stone, a third generation distiller and a deacon in the First Unitarian Church in Salem, MA, built this three story brick double row house in 1827 on the former site of Mrs. Dowst’s Candy Store. An example of the late Federal style, the house boasts a pair of interior chimneys at either end and features semi-circular fan lights over the front doors as well as symmetrically placed windows along its facade. Of note are the somewhat unique two separate, recessed, semi-elliptical arched entrances located in the center two bays of the block, so that each townhouse appears as a mirror image of the other.
The Stone family resided in townhouse #4, the western, or left, side of the two residential units, until 1839 when the building was acquired by Stone’s daughter Lucy and her husband, Salem merchant, John Robinson. Because of their long-time occupancy of the eastern half, the house was often referred to as “The Robinson Block.” After the Civil War the double dwelling became known as “The Studio” when Salem artists Frank Benson and Phillip Little rented the studio space in it. In the 1880s the property was leased by two physicians. Then, in the early 1900s, the east side of the property (#2) housed Miss Howe’s School.
All joining walls and doors between the two units were closed off in 1923 as #2 Chestnut and #4 Chestnut Street were sold as individual properties. The house at #4 Chestnut St was designated a Massachusetts Historic Landmark in 1969.
So, as you can see, the home has a rich history, no pun intended, and has gone through quite a lot of changes over the years.
Fun fact: Chestnut St is the widest street (by a few centimeters) in Salem, MA (ironically, it’s also a one way street) . So, take that Essex St! Now, you have something to talk about at dinner parties and blind dates.
The charming home on 4 Chestnut is actually a two on the corner of Chestnut St. One of the tour guides gave a brief background and history of the home in front of a very festive front door.
A pianist played traditional Christmas music in the living room.
The living room was designed by an interior designer from Atlanta. Of course, it was dressed up for the holidays.
As an added bonus, the Deacon John Stone home, one of a few he owned on the street, was the only home on the tour where they allowed you to visit the second floor.
The second floor had a game room with a pool table, elegant furniture and lots of photos and memorabilia on the walls.
I feel like I say this about every house I tour, But, 4 Chestnut St was a beautiful home with lots of charm!
Location: 9 Cambridge St, Salem, MA (about 30 minutes northeast of Boston, MA)
Universally Accessible: No
Cost: $40 per ticket ($50 if you purchase day of tour tickets)
Parking: There are several parking garages in Salem, as well as metered on street parking.
Summary: The house at 9 Cambridge St, aka the David Coggin home, has some interesting decor, artifacts and is cat friendly!
Like most of the homes in this neighborhood, this late 19th century, this late 19th century house was built on the site of an earlier building that was part of a larger parcel of land belonging to Jonathan Neal in the 1660s. The earlier dwelling remained in the family until the 1880s when tax records describe it as vacant and about to be demolished. Jonathan Neal’s name sound familiar to those of you who have been reading my posts. This home appears to have possibly been part of the parcel of land 10 Broad St currently stands.
Late in 1889 David Coggin, a renowned ophthalmic surgeon at Salem Hospital, had the current house constructed as a two and a half story residence with a gambrel rook in the Dutch Colonial Revival/Shingle Style. Coggin had another on nearby Chestnut St. But, he never resided there, selling the house soon after its completion to Nathaniel Osgood, a leather dealer, and his wife Eliza. Osgood was the son of the Salem portrait painter, Charles Osgood, whose well-known portrait of Nathaniel Hawthorne now resides in the Peabody Essex Museum. By 1900 the Osgoods had purchased a house on Chestnut St and rented out the house at 9 Cambridge St to a series of short-term renters, among them Charles C. Buffum, famed as the old “foxhunter” claiming to have killed more foxes throughout New England than anyone else. Buffum lives there from 192 until his death in 1915.
Like many homes on this tour, this home was deceiving in both size and style. While it may seem “cozy” and “quaint”, neither of which are inherently bad things, the home is bigger (over 1,900 square feet) than it may appear to be from the exterior.
The home had a distinctive charm and holiday appeal.
I adored the kitchen decor!
I thought this was very cool. When the home owners had work done on their home and grounds, the workers found some interesting materials. These pieces of dinnerware and other debris were found when the owners did remodeling and landscaping.
Something I’ve noticed in a few of the houses I toured was doors, holes and other entryways specially made for pets. This home not only had a walkway above the human furniture, it also had a hole for the cat to walk through. They have quite the life!
I liked how this tour guide got into the holiday spirit with his headwear!
This lighting fixture was very pretty! I would have loved to see what it looks like when it is lighted! Maybe I’ll see that next time I tour the home!
I always try to find something unique or different. Not necessarily anything different from the other homes. But, something that I haven’t posted about before. In this case it’s crown molding, or cornice.
Fun fact: While there may be some minor differences, wainscotting and crown molding are basically the same thing. The only big difference is location. The crown molding is located near the ceiling as shown above. Wainscotting is located low on the wall from the baseboard up to a chair rail.
This was an interesting Christmas tree. At least it’s easy to set up and take down!
The decorations continued into the porch and yard.
I hope you’ve been enjoying these tours! Three more left!
Location: 7 Chestnut St, Salem, MA (about 30 minutes northeast of Boston, MA)
Universally Accessible: No
Cost: $40 per ticket ($50 if you purchase day of tour tickets)
Parking: There are several parking garages in Salem, as well as metered on street parking.
Summary: Home to Deacon John Stone, the home sat 7 Chestnut St had some impressive decor and many original pieces.
Built circa 1827 by architect William Lummus, 7 Chestnut St was commissioned by Deacon John Stone as a rental property while the Stone Family resided at 2 and 8 Chestnut St (the Deacon was doing very well for himself apparently). Early tenants included the Reverend W.R. Babcock, minister of the Baptist Church and, later, James E Sprague, the high sheriff of Essex County.
The house, located on the right side entryway, is known for both its yellow exterior and the asymmetrical double-house design – a rarity in its time. The left side of the house features 4/3 pane windows, dormers and a rectangular entryway, while the right side presents similar windows paired with an arched double-door entry. Above the entryway, a rounded bay window provides additional changes from the left side.
As mentioned above, the home has very unique characteristics from the outside. The exterior of the building was decorated for the holidays.
This decor above the door stood out to me.
The line to get in to the houses can be long. So, we all took delight when these carolers stopped by. On cue, as the were singing, a light snow began to fall.
Eventually, we entered the home of Deacon John Stone, said to be the largest producer of rum in the area. The Deacon had his fingers in a lot of pots, apparently.
In the entryway, we were greeted by some musicians and signers playing holiday songs.
The home had a lot of vintage or original pieces.
The floors were said to have been original to the home.
And the wallpaper was either the original or a replica of the original wallpaper. It never ceases to amaze me how the wallpaper on these homes have lasted so long, especially since people smoked in these homes in the past. I have to paint my walls every few years.
This Berger chair is a vintage piece that would have been common when this house was built.
And I thought my recliner was comfortable.
The house was decorated for the holidays.
As the two trees suggest, there were indeed two separate rooms for dinner parties, festivities and other communal events. However, as was custom at the time, the men would congregate in one room while the women gathered in the other room. Some couples may still wish this custom was in vogue.
I had never seen ornaments of the early leaders of the country before.
Of course, the lighting fixtures caught my eye, especially since this one reminded me of a light we had in my childhood home sans the greenery.
This original fireplace has a very rare marble.
I always enjoy seeing the molding on the ceilings from which the lights hang from.
But, the holiday cheer didn’t end with the interior of the home. As we left the home, this decor was on the back porch.
Location: 12 Broad St, Salem, MA (about 30 minutes northeast of Boston, MA)
Universally Accessible: No
Cost: $40 per ticket ($50 if you purchase day of tour tickets)
Parking: There are several parking garages in Salem, as well as metered on street parking.
Summary: The home on 12 Broad St, built by Jonathan Neal, has some impressive decor, an interesting history and a connection to bees and chickens! I bet that got your attention!
In 1767 Johnathan Neal, a yeoman and carter, built this house on land owned owned by the Neal family since the 1600s; The house Jonathan built was described as two stories high and one room deep with a pitched roof which may have been a recycled from a previous house. Certain elements, such as a front-to- back summer beam on the first floor, suggest a possible pre-1730s date while elsewhere there is beaded box molding suggestive of post-1730s construction. The house is said to have had 6 working fireplaces. It was extensively renovated in the 20th making it difficult to determine which elements are original and which have been restored.
The area of Broad St where this house stands was not far from the town almshouse (a charitable residence, often endowed by a benefactor, providing housing of poor, elderly, disabled or otherwise disadvantaged people in a community) where indigent and very sick people were housed in the 18th century. Because of the location of the almshouses, the street was known as Almshouse Lane.
Neal died in 1790 after falling off the wharf near his almshouse after visiting a “house of intemperance.” Neal landed face first in the mud. Hey, we’ve all had bad nights. Unfortunately, Neal’s bad night was fatal. After his death, the house was divided among his children into four units occupied by the Neal family and in-laws. After the Civil War, the dwelling house became a two-family home and in 1925 it was a single-family home for the first time in over 25 years.
In 1885, Leverett Saltonstall, who grew up on nearby Chestnut St, recalled that Jonathan Neal’s sons had run a bakery at 12 Broad St where pigs were often slaughtered in the yard. The process was so grim and viscous screams and squeals from the pigs could be heard around the block. Because of the noises, Jonathan Neal Jr was taunted by the children as “Piggy Neal who makes pigs squeal.”
Instead of the pigs mentioned above, bees and chickens are now the themes of the house. The owners raise chickens and are beekeepers. There were beekeeping supplies outside of the house.
This is the original wallpaper from the 18th century. I know. I had to ask twice to make sure I heard that correctly.
The home was decorated tastefully for the holiday season.
Keeping with the chicken and bee theme, this tree had chicken and beekeeper decorations (zoom in and look about 1/3 of the way from the top on the left)’
This was one of the fireplaces on the first floor.
I was particularly impressed by the artwork above the fireplace.
I particularly appreciated the wainscoting and traditional decor in the dining room.
I know Christmas is over. But, these posts serve as “left overs” from a holiday season I think we all wish lasted longer! Fear not. I have many more tours to take you all on!
Location: 8 Chestnut St, Salem, MA (about 30 minutes northeast of Boston, MA)
Universally Accessible: No
Cost: $40 per ticket ($50 if you purchase day of tour tickets)
Parking: There are several parking garages in Salem, as well as metered on street parking.
Summary: The historic home at 8 Chestnut St had a decorative and historic feel to it!
Constructed in 1805 by Daniel Gregg, the home on 8 Chestnut was originally built as a one-story store and residence. It is one of the oldest surviving homes on Chestnut St. In its early years, Captain Somers operated a grocery store at the building while David Ashby, sexton of the nearby South Church, resided there. Around 1828, Deacon John Stone purchased the property (one of several he would own on that street) and he added the upper stories. Stone would later convert it into a full residence. By 1830, it was advertised as a rental property before eventually housing the Stone family there.
The house is considered a fine example of the early 19th-century brick Federal architecture. Its elliptical entryway with sidelights and decorative wood panels exemplifies this style.
I was able to arrive just as they were putting on the finishing touches of the decorations.
The home has a side entrance rather than an entrance on the street. One theory for this states it was done to avoid or pay less in taxes since the area facing the street was the area that was taxed. Google and other sources dispute this though claiming it was done more for functionality and aesthetic purposes. In any event, our efficient tax officials have rectified this loophole!
This home has so many little details and history. Even the bricks on the home are unique and interesting. The brick pattern layout on the outside of the house is Flemish bond brick pattern. A common feature in Georgian style homes, the Flemish bond pattern features bricks laid lengthwise (stretchers) alternating with bricks laid with their shorter ends exposed (headers) within the same courses.
You may have to zoom in to see the details.
The house had a very festive decor.
The fireplace and wainscotting are restored from the original construction.
And, of course, lighting fixtures.
This house in only one of a group of homes on Chestnut St. Stay tuned for more historic homes on this street!
Location: 19 Cambridge St, Salem, MA (about 30 minutes northeast of Boston, MA)
Universally Accessible: No
Cost: $40 per ticket ($50 if you purchase day of tour tickets)
Parking: There are several parking garages in Salem, as well as metered on street parking.
Summary: The John Fullington home, constructed in 1807, is full of lots of surprises.
Although records show this home was built in 1807 by John Fullerton, it was really built by John Fullington, a bricklayer. The house has gone through some changes since it was originally built, though. It is now stylistically considered a mid 1860s home. While the original structure may have been in the federal Style, the house has been redesigned in the Second Empire Style around 1865. Some of the elements of the Second Empire Style include the mansard roof with flared eaves punctuated by dormer windows, large and small decorative brackets and the recessed side hall entrance containing double doors. The front doors were recently restored by a Salem based artisan. The door hood is topped by a flat cornice upon which rests a rectangular bay window.
During the late 19th century, renovations in the rear extension were added, creating a larger kitchen as well as a small upstairs bedroom.
James J. Buckley, a wine merchant, acquired the property in 1865. He most likely was responsible for the major renovations that were made to the house at that time. Buckley owned a liquor store on Washington St and shared the home with his wife Margaret and their son James O. Buckley. After Buckley’s death in the early 1870s, Margaret continued to live in the house until 1919 when it was sold to Isabella Murphy, the widow of John Murphy. Her son, Edward, a painter and leather worker, lived there with his wife until the 1950s. Mary Murphy occupied the house until the 1980s.
The home tour guide made an astute observation at the entry way of the home and I agree – the owner of the home must not have cats. If you know, you know.
The home did have some unique and unexpected features like this bell above the doorway.
Besides a certain type of decor I will touch on later, the owner of the home has a special affinity for our 16th President. The top hat on the book is a tribute to Abraham Lincoln. There’s also an Easter egg on the floor on the right side of the Christmas tree.
One of the pieces of decor that stood out to me were the chairs.
This chair is a 1880’s Victorian chair model.
I also liked the Christmas decor in and outside of the home.
I agree with this sign!
And, if you’ve been following my posts, you know I appreciate most of the lighting fixtures of these homes. This light had an environmental feel to it.
Now, back to the special theme of the home that I alluded to previously and the “Easter egg” from earlier in the post. This home like some of the homes on the tour had a theme or certain type of decor. The theme of this home was rocking horses! The owner of this home really likes rocking horses.
As you can see, the Fullington home was full of charm, Christmas cheer and a few pleasant surprises!
Location: 311 Essex St, Salem, MA (about 30 mins northeast of Boston, MA)
Universally Accessible: No
Cost: $40 ($50 if you buy ticket on day of tour)
Parking: There are several parking lots and garages and metered on street parking in Salem.
Summary: The Kinsman home has multiple Christmas trees, interesting art and decor and a lot of history!
Another home that I have walked past while marveling at its design is the Joseph Kinsman house. Some of the homes on this tour look like something you’d see in a movie. Wait until we get on to Chestnut St.
The Kinsman House has a long history of owners and changing locations. In 1850, Eliza Fiske sold her property which included her house on the corner of Essex and Summer Streets to John Kinsman, Superintendent of the Eastern Railroad, and his wife Nancy Fogg. The house, which was originally numbered 311 Essex St and later renumbered 309 after the Second Empire-style house was constructed, was demolished by the 1950s to make way for the expansion of Summer and North Streets (the streets adjacent to Essex St). Kinsman, after getting remarried to his second wife Martha Lord, sold his property to Caroline E and Joseph F. Dane, a shoe and leather dealer, on 1864, the lot already had two brick houses. Dane and his wife lived in 309 Essex St and rented out 311 Essex St to various tenants.
After their parents deaths in the early 1900s, the Dane children divided the property between the two buildings, selling 311 Essex St to Dr. George K. Blair, a renowned physician and surgeon in Salem. Madeline, his wife, lived at 311 Essex St until her death in 1983.
The tour guide for the home had some horns growing. He should have that looked at!
The entryway was decorated with some traditional Christmas decorations.
The spacious bedroom had a lot of character and pretty decor.
This painting of the house, done by a local artist, hung on the bedroom wall.
These colorful curtains were from high end decorators Cole & Son.
The decor on the fireplace mantle and table were emblematic of the aptly named “Boughs and Blossoms” tours. And, no, they are not decorated this way all year long! I did ask!
I’m always intrigued by the lighting fixtures at these historic homes.
The owner of the home is a connoisseur of whisky and other fine liquors. But, the tour guide assured us there was no liquor in this drink (wink, wink).
This so called “blessed buck” is indeed a real buck.
The home had various works of art and other types of decor around the home. I especially liked the painting in the middle. But, it is a house in Salem, So, of course, there was a skeleton and what appears to be a dragon in the group of paintings. This is what I like so much about these home tours. It’s interesting to see what they look like on the inside. And, it’s fun to see how different each of the home owners decorate.
There were quite a few trees in the home. One in the bedroom.
And in the kitchen.
And one outside
Some of the visitors dressed up for the event. These guys wore some festive headwear!
And these ladies wore their best hats! This is just another reason to love these tours! The people you meet are both interesting and fun to be around!
Location: John Ward House, 148 Washington St, Salem, MA (about 30 minutes northeast of Boston, MA)
Universally Accessible: No
Cost: $40 per ticket ($50 if you purchase day of tour tickets)
Parking: There are several parking garages in Salem, as well as metered on street parking.
Summary: The Joshua Ward House, rumored to be haunted, is said to be Salem’s oldest Federal style brick building. It was the first home on the Christmas In Salem’s Boughs & Blooms historic homes tour.
Salem’s not just a Halloween destination anymore and the throng of crowds at the Christmas In Salem historic homes tour, titled “Boughs & Blossoms, is proof of this. The event, which included tours of 12 historic homes, and a bonus tour of a tiny home, attracted thousands of visitors to the Witch City. And it seems to be a bigger event each year.
While you can visit the homes in any order you choose to, a list is provided of the homes on the tour and the Joshua Ward House was the first house on this list. I found most of the information for these blog posts in the guide book given to each person on the tour. But, all of the info about the homes aren’t just in the guide books. The tour guides also provided additional information not included in the guidebook which I am including in these posts.
Like many of the countless people who walk past this grand home, I always wondered what it looked like inside. So, it was very exciting to finally see the interior of this mysterious building.
Joshua Ward, a merchant and privateer, built the house shortly after the Revolutionary War. It is said to be the oldest Federal high style brick house in Salem. The house was built adjacent to Ward’s business activities by the waterfront and would have extensive views down to the harbor. It was built with the assistance of famed Salem architect and wood carver Samuel McIntyre. In fact, you will see Samuel’s handywork or influence in many of the homes in the tour.
For all of the gearheads out there, I used my Canon 5D Mark IV DSLR with a 24 mm while photographing this and all of the houses. Except, I did use my 90D Canon with a 18 to 400 mm lens for the photo of the exterior of the house so I could fit the entire exterior of the house in the frame. I also had to use a 1.4 aperture for most of the photos of the interior because of the low light environment.
The entrance to the home was decorated tastefully.
I thought this light was pretty unique.
While many inns, homes and other historical dwellings claim “George Washington slept here”, he really did sleep in the Joshua Ward home. When Washington visited Salem in 1789, diarist William Bentley recorded that Washington requested to sleep in the Joshua Ward house. He is said to have slept in the second level, southeast front bed chamber. When the home was turned into a hotel in the 19th century, it was known as the Washington Tavern in recognition of Washington’s visit. This bust was made in George’s honor.
Ok, now to address the elephant, or ghost, in the room. Since this is Salem, of course there is a connection to ghosts. The house has been widely said to be haunted. The house is said to be haunted because the home was built on the land where where High Sherriff George Corwin had his house. George Corwin was the person who issued the arrest warrants for the people accused in the Salem Witch trials. He is also the person who is said to have placed the stones on Giles Corey’s body to force his confession of being a witch. Giles never confessed. Instead, he’s alleged to have cursed Corwin and the city of Salem. His and the victims of the trials spirits are said to reside in the home. For whatever it’s worth, the tour guide at the house chuckled and told me he has never seen or heard any paranormal activity (although he did tell me he’s seen UFO’s or UAP).
The home has been refurbished and turned into a boutique hotel. It is also a National Historic Landmark and is listed on the National Register of Historic Places.
The work of art above the fireplace is called See No Evil.
The hotel has some luxurious accommodations. As long as you don’t mind sharing them with some uninvited guests!
Parking: There are several parking lots and metered street parking in the area
Summary: Dozens of bricks representing people, places and things related to Boston (and some of the surrounding areas such as Cambridge) are installed on the ground of the alley way on Winthrop St.
Watch where you’re stepping on Winthrop St in Boston, MA! You may be stepping on history.
The roughly 100 bricks scattered along Winthrop St (don’t worry, I won’t include them all), which were created by sculptors Kate Burke and Gregg LeFevre in 1985, depict something related to Boston. The alleyway is easy to miss. So, you do have to pay close attention. It is located between Otis and Arch Streets
One of the bricks, which were funded by the Edward Ingersoll Browne Fund, is something any Boston driver can relate to. In fact, I think he cut me off the other day.
Yes, Boston drivers can be animals at times. At least he’s using the “10 and 2” steering wheel method.
Like them or hate them, Boston is also known for its sports teams and sports in general. These bricks represent everything from the Boston Marathon (the longest active marathon in the United States) to the oldest Major League Baseball park in the states (Fenway Park) as well as some rowers and the most winning team (in terms of championships); the Boston Celtics.
This Boston Bruin logo was included in this brick which also contains logos of the MBTA (Massachusetts Bay Transportation Authority, or more commonly known as “the T” in Boston) as well as the logo for the New England Sea Aquarium in the left hand corner. “I can walk like a penguin.” If you got that reference your AARP card is in the mail.
Of course, Boston is a city of firsts. These bricks show off some of the firsts the city may or may not be known for. For instance, did you know the first wooden golf tee was invented in 1899 by Dr. George Franklin Grant in Boston, MA?
Another sports first is the claim to the use of the first baseball glove. Although it is debated (one historical reference states the first “buckskin” gloves, which were more like actual gloves, were worn as early as the 1860s). But, the first gloves that resemble what we use now are said to have been worn by first baseman Charles Waitt in Boston.
One more first represented by the bricks on Brick Alley is the first First Night which should really be called “First Morning” or “Last Night”. But I digress.
Boston held its first (and the country’s first) First Night December 31, 1976. I guess people just went to bed at a reasonable hour before then.
Another first in Boston is the first resident. After all, it had to be someone. And that someone was Rev. William Blaxton (also spelled Blackstone). He moved to what would later to Shawmut Peninsula which would later become known as Boston in 1625.
Since it is an area so rich in history, there were also several bricks dedicated to the history of the city.
This brick could signify a few different battles or clashes in Boston or were part of the “Boston Campaign” of the American Revolutionary War. But, I am assuming this brick pays tribute to the “shot heard around the world” and the subsequent Battle of Lexington and Concord just outside of Boston. I’m not saying who shot first, though.
The first public park is indeed in Boston. Boston Common was established in 1634 by the Puritans to serve as meeting place for public, military and recreational purposes. A lot of effort and care were used to show all of the paths in the park.
These swan boats which are in use every summer in the public garden adjacent to the Boston Commons,. They have been in operation in one form or another since 1877 when Robert Paget, a ship builder in Boston started making them.
Another first is the Boston subway system. The subway system in Boston is the first in this country (the first subway stops were Boylston and Park Street). The first trains began operating in 1898 and I think they’re still in use today. At least it feels that way,
The Boston Latin School, which was founded in Boston in 1635, is the first public school in the country. It has been in continuous operation since it formed on April 23, 1635. And, no, I wasn’t in attendance. I’m not that old.
While the sewing machine is in its earliest forms was not invented in Boston, the inventor of the first practical and commonly used sewing machine was a mechanic from Boston named Elias Howe. Elias invented the first modern lockstitch sewing machine in 1845. The underlying lockstitch design Elias invented became the foundation for most modern day sewing machines and is still used to this day in most sewing machines.
Boston is also known for its many arts and entertainment. These bricks include the POPS (the Boston Pops). Although they’re most famously known for their performances during the 4th of July celebrations on the Charles River Esplanade, they perform on many other occasions at many other venues.
This brick is a tribute to the ballet dancers that perform at the many events throughout the year. But, I will always get Nutcracker vibes when I see them.
The opera is also a staple of the art which is plentiful in the area.
This brass instrument is commonly used in the Boston Pops concerts and at other concerts throughout the city.
The Franklin Park Zoo in Boston, MA, is one of the oldest continuously running zoos. But, not the oldest in the country. The 72 acre zoo opened on October 4, 1912.
Boston is proud of its history and accomplishments. One of those accomplishments championed by President Kennedy, from Boston, was sending astronauts to the moon by the end of the decade, although he was not alive to see it to fruition. This brick shows both the moon and the approximate distance to the moon.
This brick shows some of the most famous people from Boston in their final resting places.
Speaking of final resting places, many of these newspapers no longer exist. A few, like the Boston Herald, the Boston Globe and Christian Science Monitor are still in operation, though.
This historical event was a real mess. The Molasses Flood of 1919 was just that; a flood of molasses. On January 15, 1919, a 58 foot tall and 98 foot diameter molasses storage tank in Boston’s North End burst, releasing 2.3 millions of molasses into the streets. The dark brown syrup is said to have reached speeds of 35 miles per hour and left a 10 foot deep, 100 yard tidal wave that destroyed everything in its path. Twenty one people were killed and 150 more people were injured. Wen the air is just so and the breeze is just right, it’s said you can still smell the thick scent of molasses.
These bricks are representative of the protests and how we have worked to make the world a little bit better.
I never liked tea anyway.
“Yes”. “No.” I wish they’d make up their minds.
The Underground Railroad did include parts of Boston, specifically the north slope of Beacon Hill and other areas in Boston.
The Stamp Act was another political issue that was hotly debated and protested. If only things were still so simple today.
We have a lot of famous landmarks and buildings. A few of them were represented in the alley.
As it is stated clearly on it, this brick is a depiction of the State House in Boston, MA. Yes, the dome is really covered in real gold leaf. And you wonder why we’re so grumpy.
This brick is an artful design of the Old North Church in Boston, MA
The Custom House Tower, also located in Boston, MA, is also on one of the bricks.
Some of the bricks would need a little explaining. So, what’s a “Smoot”!?
A “smoot” is a non-standard unit of measurement (defined as 5 ft 7 inches). This measurement perfectly fits Oliver Smoot, an MIT fraternity pledge from 1958. The fraternity members used poor Oliver to measure the Harvard Bridge in Cambridge, MA (it measured 364.4 smoots long). The fraternity brothers measured him, made him lie on the bridge, marked his full body length and continued the process until they had covered the entire length of the bridge. And I thought I had a lot of free time. The “smoot” has remained a tradition at MIT and a well known landmark (by locals at least). And each year the fraternity repaints the yellow markings.
Another brick that may need some explaining is this brick that has “George or Paul?” No, not those George and Paul. There are two statues in Boston of two pretty famous people. One statue with George Washington on a horse is in the Boston Public Garden. The other statue is of Paul Revere, undoubtedly on his ride to warn us all about the British, is located in Paul Revere Mall in Boston’s North End.
This may seem like a pretty straightforward design on the brick below. It is the Longfellow Bridge which spans the Charles River and connects Boston’s Beacon Hill to the Kendall Square area of Cambridge, MA (or vice versa). The bridge has an interesting history and background. The S and the P are meant to represent “salt” and “pepper” as it is also known as the “Salt” and “Pepper” bridge because the shape of the central towers on the bridge resemble salt and pepper shakers. Great. Now I’m hungry.
When it was originally built in 1845, the bridge was named the West Bridge. It was rebuilt in 1906 and eventually it was named the Longfellow Bridge after a certain writer penned a poem about the original bridge (West Bridge) entitled “The Bridge.”
These two seemingly random creatures actually have a very close connection to our history. They are both located on a very old and important historical building; the Old State House. Located on Washington St in Boston, the original State House is also near the site of the Boston Massacre. In any event, this lion and unicorn are located on the exterior of the building near the roof. These are the same figures used in the coat of arms for the United Kingdom which are reminders of its past.
These are only roughly half of the bricks on the alleyway. So, there are many more for you to find on your own! Just don’t forget to look down!
Location: Old Sturbridge Village, 1 Old Sturbridge Village Rd, Sturbridge, MA
Summary: Guided tours lit only by candle light showcased life before the use of electricity in New England.
It’s hard to believe but there once was a time when luxuries like IPads, streaming services and, of course, electrically powered lighting did not exist. But, Old Sturbridge Village was able to recreate these times at the Evening Of Illumination event in February.
At the first exhibit, the demonstrator showed off some of the different candles and lighting fixtures of the time.
During this event, one of the attendees asked if I could enable silent shooting on my camera as it was difficult to hear the speakers with the shutter of my camera going off. Unfortunately, my camera does not have this function. Modern mirrorless cameras do have this feature. But, my DSLR camera does not have silent mode (although there is a “quiet mode” that still makes a muted sound and is almost like a “slow mode”). So, out of respect for the people in the group, I did switch to video mode and I recorded videos at the historical homes. I did, however, also take a few photos in “quiet mode” when the speakers weren’t speaking. So, most of the remainder of this post will consist of videos from the event. Video recording is not my strong suit, particularly in low light situations and when there are bright light sources in low light. It really is a different skill set. So, I did have some challenges getting the lighting and focus right in some parts of these recordings.
At the next house, a violinist played a few songs. This is her version of “Park Waltz.” I especially like how she threw in a reference to the controversy surrounding her next piece. You may hear her say waltzing is a little bit controversial. In part, this is because waltzing is a form of dance where the dance partners are very close together. So close, in fact, their faces sometimes touched. Additionally, the dance partners would move or turn quickly and the dancing included fast tempos. How gauche!
This historical actor showed everyone what her night time routine was like. Her routine included saying her night time prayers, laying out her clothes and washing her face and hands.
The gentleman at the next house showed us how people kept themselves entertained with a simple candlelight. It’s amazing the images you can create by candlelight.
He also told us some stories that people would share and showed us how people viewed images a s a form of entertainment (way before moving pictures became a thing).
What did people do before board games and apps? The historical actors at this house showed how they kept themselves entertained. Games like charades and asking riddles were popular forms of entertainment.
The shoemaker at the the village explained how a shoemaker’s job was like.
The furniture maker at the village described his job by candlelight.
A young couple talked about their lives as young people with a child.
Carolers sang “Yankee Doodle Dandy” at the Meetinghouse.
The shop keeper explained the details of her job and some of the merchandise in the shop.
There were also some great photo opportunities in the tavern and lobby.
If that wasn’t enough, there was also dancing! All the visitors were invited to watch and participate in dancing at the tavern.
While this event was a lot of fun and very informative, it also made me appreciate the luxuries I have!
New England Nomad 