Tag Archives: history

2025 Phantoms By Firelight (Old Sturbridge Village, Sturbridge, MA)

Date Of Event: Oct. 11, 2025

Location: Old Sturbridge Village, 29 Stallion Hill Road, Sturbridge, MA (for GPS directions)

Cost: Prices ranged $28 to $45 for this event (members get a discount)

Parking: Lots of free parking

Universally Accessible: Since most of the events are outdoors, the event was universally accessible. But, many of the buildings at the village are not universally accessible.

Website: Old Sturbridge Village

Summary: Performers showed off their gravity defying, fire breathing and feats of strength at the Phantoms By Firelight event at Old Sturbridge Village.

Old Sturbridge Village transformed into a fiery family friendly festival. Alliteration aside, performers with a diverse set of skills enthralled the audience of people of all ages.

Fire breathing, knife juggling and gravity defying tricks were just a few of the performances on display during the October event at Old Sturbridge Village.

People at the event got into the Halloween spirit. These people cam to the event in their own Halloween costumes!

At the Meetinghouse, there was a display with common fears people had back when in the late 1700s and early 1800s, proving people today are not so different from people off this earlier era. We all have many of the same fears and worried about the same things. Fear of the dark, spiders and heights were some of the fears on display at this exhibit. I have some of these very same fears. Ok, make that all of them. In fact, add rollercoasters and Chucky to the list.

The fear of spiders, also known as Arachnophobia, is a fear many people have. Although some spiders can be venomous, this fear is largely unfounded. See how cute they look!

Claustrophobia, or fear of enclosed places, was, and still is, a very reasonable fear especially since people often worked in confined spaces.

Thanatophobia, the fear of death, is a fear all of us probably have.

Acrophobia, the fear of heights, was another common fear in the 1700 and 1800s. Early New Englanders had to navigate many steep and dangerous cliffs and ledges. Folklore and superstition claimed the “Devil’s Footprint” were on some of these precipices. People were said to be facing tests of faith on these cliffs. People that fell were said to have faced “divine punishment.”

Nyctophobia is a fear many of us probably suffered from as children. People who have a fear of the dark are not necessarily afraid of the darkness. Rather, they fear what may lie in the darkness like n in-law or the tax collector!

People, like these visitors, could write down their biggest fears and add it to the collection box.

If you saw my previous post about last year’s Phantoms By Firelight (2024) event, you may notice many of the events were similar, or the same. But, the performers added different twists, in some cases literally, to their performances. And, in one case, different people were performing.

The first performer was Alexander The Upside Down Man. Or sideways man for that matter!

The musical act Fox and Dragon provided the music for Alexander’s performance.

Philomena and her magic rope kept the audience riveted with her climbing and acrobatic skills. As her entrance, she did a freaky spider walk!

Philomena dazzled the audience with her mastery of the rope!

The highlight for many of the visitors were the “Masters Of The Flame”. These performers were playing with fire. Literally. These talented daredevils put on such an amazing show. Finding the best photos of their feats was very challenging.

Richard Hankes and Ashlee Morgan performed at the finale of the event. Ashlee is a Cirque du Soleil alum and a finalist from Season 19 of “America’s Got Talent.” Hankes and she hold the Guinness World Records holder for “Longest duration balancing on pointe on the shoulders,” with a recorded time of 4 minutes and 2.75 seconds. More on that later.

The finale began with an introduction of the performers. And some dancing by Ashlee and Richard.

Ashlee and Richard showed off some of the skills that put them in the record books.

Ashlee was not done dancing. After she carefully got off Richard’s shoulders, Ashlee did some hot stepping on the stage!

But, Ashlee wasn’t done. Drawing on her Cirque du Soleil experience, she showed off her skills on the rings!

Besides the featured artists, there were many other attractions. For instance, the bridge at the village was lit up and a mysterious fog hung around the entrance.

Inside the bridge were actual portraits from the houses at the village.

This is a portrait of Hannah Elizabeth Tucker circa 1843 (artist unknown). Born June 11, 1836 to Thomas and Nancy Tucker of Newton, MA, Hannah died of marasmus, a deficiency in all the macronutrients that the body requires to function, including carbohydrates, protein and fats, on December 30, 1843. The portrait was probably commissioned by her parents after her death. The portrait shows her marking a spot in her book with her finger. It is a symbol of her life interrupted. Her short life shows how difficult it was to survive and provide what we would consider the basics of nutrition during those times.

This portrait of Maria Brown was made circa 1835 by an unknown artist. Maria and her twin sister Maranda were born in Wendell, MA, on March 19, 1820. At some point they moved with their parents Jonathan and Abigail to Gardener, MA. Maranda died of consumption on April 23, 1844 at the age of 24. Eight months later on January 6, 1845, Maria died from inflammation in her lungs. They are both buried in Gardner, MA, under one headstone.

This is a family portrait that was also hung on the inside of the bridge.

The blacksmith was also busy at work. They always seem to be working on one thing or another whenever I visit the village.

From the pumpkins, flames and the buildings, there were many photo opportunities at the village.

Finally, there was a new attraction at this annual event; Halloween wreaths! After viewing the wreaths, people could vote for their favorite wreath.

This wreath made by Danielle Peters is called “Fall On The Farm.” The theme of the wreath is Autumn. She used blown eggs from her creme legbar chickens and feathers from her heritage breed turkeys.

This wreath had a spell to keep evil away on Halloween attached to the wreath. You may notice some of the elements of the spell, such as the fox and the vulture, are included in the wreath’s design.

For those of you who may be fans of the Nightmare Before Christmas, this wreath made by Jeremy Levesque was titled, “It’s Jack-O-Ween Time!”

“Witch Dream” by Jamie Black was made in honor of his mother. According to Jamie, she loved to be a witch for Halloween and she taught him many of the skills he used to make the wreath.

“The Witches Garden” by Alyssa Kellogg is a hidden garden where witches cast spells, mix potions and deadly foliage grows. The wreath features natural elements such as empty wasp nests acorns, dead hydrangeas and dry leaves.

Kristina Tyree made “Fall-O-Ween as an expression of her love for fall and the beauty it brings. Each piece was cut and stitched by hand from a pattern that she created.

“Ghost Witch Riding On Her Pet Bat Deliver A Wreath” was made by Elaine Hartman. She said she hoped the wreath made people smile. It was her first craft project.

“Pretty Deadly – Midnight Apothecary” by Danielle Ballard was inspired by the Asa Knight Store (more commonly known as the “Village Store” at Old Sturbridge Village) after dark. Danielle described it as a mournful bed of cracked flowers and tulle, dried roses and flowers are interspersed with handmade clay frames and original graphic art from an imagined Midnight Apothecary.

The theme of “Creepy Welcome” is simplicity with a touch of glam. Nadine Bransky enjoyed repurposing found objects into fun home decor.

“Bubble, Bubble, Toil & Tinsel” by Monica and Brandyn Greeno is about witches, potions, brewing and spells.

These are a few more of the wreaths that were on display!

There were some very impressive works of art. I do hope they continue this part of the event!

There were so many events and interesting attractions at the Phantoms By Firelight event. That’s why it took so long to post. I’ll jus try to post the photos more quickly after this year’s event!


Thanksgiving at Old Sturbridge Village (Old Sturbridge Village, Sturbridge, MA)

Date Of Event: Nov. 18, 2025

Location: Old Sturbridge Village,

Cost: $30 for daytime events. There are discounts for seniors, military personnel and college students. See their website for additional info

Website:Old Sturbridge Village

Summary: Old Sturbridge Village celebrated Thanksgiving

The week before Thanksgiving, Old Sturbridge Village replicated Thanksgiving in the early United States. From Thanksgiving dinner (more like lunch) and turkey shoots were just some of the highlights of the festivities during my visit.

Thanksgiving was celebrated very differently in New England during the late 18th and early 19th century. Instead of watching football and shopping online for Christmas presents, people went to turkey shoots and cooked some unusual dishes (more on that later).

The first stop was to the small home and garden. I had never noticed before during my many but there is a room located adjacent to the fireplace. It is a very cozy accommodation.

Some of the workers were busy quilting stockings and clothing for the coming winter season. .

The fabric below was dyed using the method from the late 1700s and early 1800s. Dyers in the 19th century used natural materials to make their colors. Housewives gathered black walnuts, oak galls and goldenrod from the countryside. They cultivated plants used for dying like sage in their kitchen gardens. Local New England dyestuffs produced a range of yellows, greens and browns. More vibrant colors usually came from dyestuffs grown in warmer climates. Many country stores stocked imported dyes all over the world.

One of my favorite places to visit at the village is the Blacksmith Shop. The blacksmith always seems to be working on something interesting.

This Blacksmith Shop was originally located in Bolton, MA around 1810. It was relocated to the village in 1957.

Blacksmith Moses Wilder owned land that adjoined a stone quarry operated by his wife’s cousins in Bolton, Massachusetts. Wilder built the Blacksmith Shop using some 400 granite stones from the quarry to form the walls. He was able to maintain a prosperous business making and repairing tools used in the neighboring quarry. His son, Abraham, later took over the business.

Neighborhood blacksmiths undertook several different kinds of work in rural New England, and most towns had several blacksmiths. Some specialized in producing edge tools or machinery. Others shoed horses or turned to wheelwrighting and repairing vehicles. Many did general iron work, repairing manufactured and imported tools, shoeing horses and oxen, and making hardware and other metal items needed in the community.

This tin shop, which was reconstructed in 1975, is believed to have been in operation around 1800 to 1850.

The tin business in New England grew rapidly after 1820. Tin shop owners imported tinplated sheet iron from Great Britain, shaped it into a variety of forms, and distributed their finished goods through peddlers and country stores. They also sold tinware in their shops. Colanders, dippers, dish kettles, funnels, measures, and pans were in greatest demand. Other common items included lanterns, foot stoves, teapots, coffeepots, “tin kitchens”, skimmers, and sconces.

The Tin Shop at Old Sturbridge Village is a reconfigured the early 1800s shed. Here, “tinners” work with hand tools as well as machines that were new innovations in the early 19th century. These machines turned tinplate, made grooves and folds, and inserted wire, increasing a shop’s production.

Sturbridge and the surrounding region were home to some of the foremost rural cabinetmakers of the early 19th century, including Nathan Lumbard and Oliver Wight. These craftspeople, as well as others like them, were integral to 19th-century rural New England communities. In 2017, Village staff and Trustees began working on a plan to create a permanent home for cabinetmaking at the Village. The Cabinetmaking Shop opened in October, 2021, as a highlight of the Village’s 75th anniversary.

In the new cabinetmaking shop,  cabinetmakers discuss the tools and techniques used in period furniture construction, including turning demonstrations on a treadle lathe, preparing stock with hand tools, and Federal-style table construction.

The Cabinetmaking Shop is a hybrid building, built using both historic and modern building methods in the construction of the Shop. The shop is patterned after period structures operated by early 19th-century New England craftsmen. Many elements of the final Cabinetmaking Shop will be created by craftsmen and interpretive staff working in the Village, including reproduction period tools, doors, shelves, and the box stove. The large timbers for the construction of the shop were even cut by the Village Sawmill.

The sawmill was one of the most important buildings in the village. This sawmill was reproduced in 1984.

This rare water-powered sawmill—erected on the millpond site that David Wight, Jr. first created in the 1790s—is used to cut lumber for Old Sturbridge Village and other historic sites. The Sawmill is based on what had been one of the oldest surviving sawmills in the area: the Nichols-Colby Sawmill of Bow, New Hampshire, which was destroyed in a 1938 hurricane.

Although the Village demonstrates sawmilling in spring, summer, and fall, rural mills were busiest during late winter and early spring, when waterpower was most abundant and the demands of farming were less pressing. Sawmill account books suggest that since it was so difficult and expensive to transport logs and lumber, mills like this one concentrated on custom production for local customers.

The Gristmill was also active during my visit.

The Gristmill was one of the first buildings constructed at Old Sturbridge Village. Built on the site of the Wight family’s original gristmill, the mill is made of recycled old timbers and new lumber. The mill’s massive millstones and other parts came from the Porter Gristmill in Hebron, Connecticut.

Gristmill owners served their customers by grinding grain into flour and meal for baking or provender for feeding livestock. By Massachusetts law, a miller could charge a fee or toll of 1/16th of the grain bought to him as payment for milling the rest. But rural milling was changing along with the rest of the economy; even in the countryside, cash fees were beginning to replace traditional tolls.

Originally built in Worcester, MA around 1780, the Printing Office was moved to Old Sturbridge Village in 1951.

Printing required speed, dexterity, and strength. Setting type and printing were generally the work of men and boys, but women were employed in stitching and binding books. Country printers concentrated on books, pamphlets, broadsides, and forms. Newspapers were seldom profitable in small towns, but many rural printers tried to make money from them. In order to have a variety of titles for their customers, rural printers exchanged large quantities of books with printers throughout New England. Then they sold the books to country merchants, often taking store goods in exchange. By 1820, many were printing books for publishers in Boston, New York, and Philadelphia.

The Printing Office at Old Sturbridge Village was owned for a time by noted printer Isaiah Thomas. Thomas moved from Boston to Worcester during the Revolutionary War to preserve his freedom to publish. It is unlikely that Thomas printed in this building, but the association with him is important. As one of America’s most successful printers, he trained many craftsmen, who influenced the trade for two generations.

The printer showed off the tools of the print shop as well as how the papers were printed on. This copy of the Connecticut, which was printed on the printer in the office is an original from the 1800s.

Of course, what would a Thanksgiving celebration be without a feast?

Thanksgiving was the biggest holiday in 19th century Sturbridge. While the turkey is usually the biggest part of the Thanksgiving meal in modern day America, it was not the case in 19th century Sturbridge. And, other parts of the meal were considered more important. es were baked weeks ahead of time and stored in unheated attics and bedrooms where they would freeze and keep for months. Pies not consumed at Thanksgiving would sometimes last until April. Also, while many people might be surprised to read this, prayer was not said before the big meal. Grace, or a proclamation of gratitude, was often said before the meal.

Turkey wasn’t the only thing on the menu. This hoof (possibly from a boar, sheep or deer) was a common delicacy of these meals.

But there were also more savory items like pies, cake, vegetables and a turkey cooking near an open flame.

Sometimes, they would store extra vegetables in unusual places!

The highlight for most, though, was the “turkey shoot.” But, no turkeys were harmed during this event. Men and women from the village took their turns at trying to hit the targets. While beginning to fall out of favor by the 1830s, competitive turkey shoots were still fairly common New England events in the fall and early winter. Participants would pay cash to shoot at nearly impossible ranges to try to win their own bird.

While no animals were used or harmed during the shoot, there were other targets used in the shooting. Instead of turkeys or other living things, the shooters aimed at the paper targets, jugs and bowls.

These are the rounds used during the time of the turkey shoot they were recreating. The shooters used the largest projectile to the left for the target practice. Imagine getting hit by that bullet, or any of these bullets for that matter. Ouch.

There were musicians and a few roosters at the turkey shoot.

I couldn’t end my post without adding some of my favorite artsy photos. One of the things I like to photograph in the village are the windows. If you get it the right time of the day when the light is shining just right, you can get some pretty photo opportunities.


Knox Trail 250 (Springfield, MA)

Date Of Event: January 17, 2026

Location: Springfield Armory. 1 Springfield Armory, Springfield, MA (1 Armory St for GPS location) (2 hours southwest of Boston, MA)

Admission cost: Free admission

Parking: Free parking was available at the event

Summary: The Park Ranger Services at the Springfield Armory hosted a ceremony to commemorate Henry Knox’s journey across Massachusetts.

The Knox Trail, also known as the Henry Knox Trail or the Knox Cannon Trail, is a network of roads and paths which traces the route of Colonel Henry Knox’s “noble train of artillery” from Crown Point, NY, to the Continental Army camp just outside of Boston, MA. Knox and his team moved 59 or 60 tons of artillery. The trail, which was called a “Noble Train of Artillery”, was completed using primarily ox-drawn sleds (or sledges) and horses. It was completed in an impressive 56 days and spans approximately 300 miles. While the exact dates aren’t clear, it is believed to have taken place during the winter of 1775 to 1776. The map below shows the path they took. The blue line shows the exact path. It extends from the Lake George area to Boston.

For better or worse, it has been snowing or it recently snowed during many of my trips lately. This day was no different. And wow did it provide for a pretty backdrop!

This was my first photo shoot using my Canon R5 mirrorless camera. I think the photos might look a little more crisp and clearer. One thing I did notice is the camera and lens I used (Canon 35 mm) was better at focusing on the people and their faces despite the snow. My older camera (Canon 5D) would tend to focus on the snow and not the people.

The ceremony began with a march on the grounds of the Springfield Armory which included reenactors and animals.

These horses were used to move some of the artillery, emulating the original Knox Trail.

The Springfield Armory didn’t just have military weapons and historical information Knox Trail. There were a variety of old firearms and gear from different eras and wars.

These weapons showed below were involved in different mishaps during battle.

The first musket was struck by lightning. Because of the intense hear caused by the lightning, a regulation Civil War paper cartridge (which can be found to the right in the photo) was found intact in the breech (the rear end of the barrel where the gunpowder is ignited and the projectile is loaded) when the weapon was disassembled for cataloging and preservation in 1981. While the identity of the sentry whose weapon this was is unknown, it is believed it was a Confederate soldier because the bayonet was from a Confederate manufacturer (although Union soldiers often took weapons, ammunition, clothing and other gear from fallen Confederate soldiers and vice versa).

The barrel of the second weapon, which was found on a Civil War battlefield, was struck by a projectile.

During the Civil War, the stock (the main structural component in this case made of wood) of the third rifle, a British Enfield rifle, became impregnated with salt from perspiration. After the war ended, the soldier took the gun home and stored it in his barn. While it was stored, a porcupine gnawed at the stock in an attempt to chew out the salt from the stock of the rifle.

The other guns in the display were struck by projectiles.

There were many other weapons on display like these personalized weapons.

This Organ of Muskets is partially filled with 645 Springfield U.S. Model 1861 rifle muskets.

This quilt was made by various high school students in all of the cities and towns in Hampden county in Massachusetts to commemorate the 200th anniversary of Knox Trail. Another quilt from a different county in Massachusetts hangs in the Massachusetts State House. As an aside, 50 years ago, also to commemorate the 200th anniversary, reenactors hiked the original Knox Trail. Given our current weather conditions as we are expected 18-24 inches of snow and freezing wind chill temperatures today and tonight.

These are just a few of the weapons and military and gear with a historical background at the armory. It’s certainly worth another visit since I couldn’t spend too much time looking at all the exhibits in the armory.

There was also an activity learning area where people could make their own paper cartridges. Paper cartridges were a type of small arms ammunition used before the advent of metallic cartridges. To be clear, these were not dangerous on their own and no one was injured while making these cartridges. That I know of.

The main event, of course, were the cannon firing and rifle and musket firings.

The reenactors prepared for the cannon by priming the cannon before the firing.

A ranger gave some background info about the Knox Trail and what it was like to be in battle.

The reenactors did fire a canon. But, because of safety precautions, they had us stand far away and everyone was bunched up together. So I was out of position for the cannon firing. This was the aftermath of the canon firing.

But, I was able to get a photo of the firing of the rifles and muskets.

The reenactors were active and approachable at the event. I was able to take a few photos of them during the event.

There are bound to be many more 250th commemorations and celebrations this year. So, I’m sure I’ll be photographing more of these type of events throughout the year!


Christmas In Salem – Boughs And Blossoms – Gedney House (Salem, MA)

Location: 21 High St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: By showing the architecture and “bones” of the home, the Gedney House serves as a model for what the historic homes of Salem look like on the inside.

While we have seen all of the residential homes on the historic homes tour, there was one more building on the tour. But, it’s not a residential home. At least, not now. The Gedney House, once used for rooming, holding events and other occasions, the Gedney Home is now used to showcase the nuts and bolts, sometimes literally, of the homes of that era.

One of the oldest timber-framed dwellings in the country, the Gedney House was built by Eleazer Gedney, a wealthy shipwright whose family had arrived in Salem in 1637. The original structure was a basic post-Medieval center chimney plan consisting of a hall and parlor on either side of the chimney. The location of the house was near Eleazer’s shipyard on the South River. Gedney was married to Elizabeth Turner, sister of John Turner, who built the house of House of the Seven Gables. Although modest in size, the house had features which showed that it was built by a family of means; a spacious, decorative gable and two impressive summer beams (load-bearing building elements) in the main hall, an unusual feature as homes of this style typically had only one.

In 1733 a new owner expanded the house into a multifamily dwelling used as a rooming house. By the early twentieth century, when Salem was becoming home to successive groups of immigrants, the house was a tenement in the area which became known as Little Italy, reportedly once housing 25 people in four households. So much for building codes.

A local builder purchased the house in 1962 with the intent of turning it into apartments. An observant Salem resident, Elizabeth Reardon, noticed 17th century paneling in the trash as the renovations were beginning and alerted Historic New England, which subsequently acquired the house. Because of the halted 1960s renovations, much of the original framing is exposed for visitors to see today.

The exposed framing mentioned above can be found in the structure.

The house, such as it is a “home” is meant to serve as an architectural model to see the “bones” of these old historical homes. There were examples of the home’s architectural frame and design throughout the house. Some lit up for the holiday season. AS you can see, the paneling and wood covered a lot of the original str The photos at the bottom show the original designs of the building.

The “Great Fire Of 1914” in Salem took out much of the McIntire District. The Gedney House, however, was spared, barely.

The map below shows the area the fire spread (in red). The Gedney House is the x on the map.

Here’s a closer look

This concludes the annual Christmas In Salem historic homes tour!


Christmas In Salem – Boughs And Blossoms – 1 Chestnut St – Built For Francis Cox (Salem, MA)

Date Of Visit: December 6, 2025

Location: 1 Chestnut St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: The home at 1 Chestnut St had a lot of pretty decorations, an interesting history and quite a few nutcrackers!

Constructed circa 1850 for Francis Cox and his wife, Ellen Barr, 1 Chestnut St exemplifies a blend of Italian Villa and Georgian/Federal styles. Cox began his career as a commission merchant in Boston supplying Cunard steamships (I had to Google that too!). Cunard steamships were those very long steam ships established by Samuel Cunard. Think of the Lusitania and Queen Mary. Or, better yet, “Steamboat Willie’s” boat. These steamships traveled between Boston and Liverpool, England. Following his retirement, he served as President of the Naumkeag National Bank, and Vice President of the Salem Five Cents Savings Bank.

Architecturally, the projecting entrance and bay windows of the home are believed to be the earliest examples of the Italian Villa style in Massachusetts. These elements contrast with the more traditional, boxy Federal features that align with the style of neighboring houses on the street, Prior to the home’s construction, the site was occupied by a bakery and vegetable patch.

Right from the entry and front stairway, the home at 1 Chestnut St was stunning.

The lighting fixture also had some boughs, appropriate with the theme of the tours.

These fireplaces are both black Italian marble with gold striated decor.

There were so many elegant and festive decorations around the home. Each home seemed to have one feature or theme that stood out. As you’ll notice in the photos, nutcrackers were prominent in the holiday decor of this home. And, quite a few Christmas trees! I wonder how long it takes to put all of these decorations up, and, even more daunting, how long it would take to take them all down.

Like many homes on this tour, this house has the original wallpaper. With a twist.

Do you notice anything different about it? The wallpaper was put on upside down! It’s a little hard to see. But, you can tell it is upside down by the flowers that seem to be growing in a downward angle.

This liquor cabinet had a very cool style. If you went into the room next to the this liquor cabinet.

If you go into the room next to the liquor cabinet, you can look through the liquor cabinet from that room when the cabinet doors are open. It’s kind of like a peep hole in your apartment or hotel room!

This is an antique English barometer from 1780.

This 1780s grandfather clock had all of the moon phases and seasons.

This was the last actual lived in home on the tour. There is one more home on the tour. But, it is more of a model home and not furnished. So, I hope you’ve enjoyed the tours of the actual residential homes in the Christmas In Salem Boughs And Blossoms tour!


Christmas In Salem – Boughs And Blossoms – 4 Chestnut St – Deacon John Stone House (Salem, MA)

Date Of Visit: December 6, 2025

Location: 4 Chestnut St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: The home at 4 Chestnut St, another home of Deacon John Stone, was decked out for the holidays. They also let people tour the second floor!

John Stone, a third generation distiller and a deacon in the First Unitarian Church in Salem, MA, built this three story brick double row house in 1827 on the former site of Mrs. Dowst’s Candy Store. An example of the late Federal style, the house boasts a pair of interior chimneys at either end and features semi-circular fan lights over the front doors as well as symmetrically placed windows along its facade. Of note are the somewhat unique two separate, recessed, semi-elliptical arched entrances located in the center two bays of the block, so that each townhouse appears as a mirror image of the other.

The Stone family resided in townhouse #4, the western, or left, side of the two residential units, until 1839 when the building was acquired by Stone’s daughter Lucy and her husband, Salem merchant, John Robinson. Because of their long-time occupancy of the eastern half, the house was often referred to as “The Robinson Block.” After the Civil War the double dwelling became known as “The Studio” when Salem artists Frank Benson and Phillip Little rented the studio space in it. In the 1880s the property was leased by two physicians. Then, in the early 1900s, the east side of the property (#2) housed Miss Howe’s School.

All joining walls and doors between the two units were closed off in 1923 as #2 Chestnut and #4 Chestnut Street were sold as individual properties. The house at #4 Chestnut St was designated a Massachusetts Historic Landmark in 1969.

So, as you can see, the home has a rich history, no pun intended, and has gone through quite a lot of changes over the years.

Fun fact: Chestnut St is the widest street (by a few centimeters) in Salem, MA (ironically, it’s also a one way street) . So, take that Essex St! Now, you have something to talk about at dinner parties and blind dates.

The charming home on 4 Chestnut is actually a two on the corner of Chestnut St. One of the tour guides gave a brief background and history of the home in front of a very festive front door.

A pianist played traditional Christmas music in the living room.

The living room was designed by an interior designer from Atlanta. Of course, it was dressed up for the holidays.

As an added bonus, the Deacon John Stone home, one of a few he owned on the street, was the only home on the tour where they allowed you to visit the second floor.

The second floor had a game room with a pool table, elegant furniture and lots of photos and memorabilia on the walls.

I feel like I say this about every house I tour, But, 4 Chestnut St was a beautiful home with lots of charm!


Christmas In Salem – Boughs And Blossoms – 9 Cambridge St – Built for David Coggin (Salem, MA)

Date Of Visit: December 6, 2025

Location: 9 Cambridge St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: The house at 9 Cambridge St, aka the David Coggin home, has some interesting decor, artifacts and is cat friendly!

Like most of the homes in this neighborhood, this late 19th century, this late 19th century house was built on the site of an earlier building that was part of a larger parcel of land belonging to Jonathan Neal in the 1660s. The earlier dwelling remained in the family until the 1880s when tax records describe it as vacant and about to be demolished. Jonathan Neal’s name sound familiar to those of you who have been reading my posts. This home appears to have possibly been part of the parcel of land 10 Broad St currently stands.

Late in 1889 David Coggin, a renowned ophthalmic surgeon at Salem Hospital, had the current house constructed as a two and a half story residence with a gambrel rook in the Dutch Colonial Revival/Shingle Style. Coggin had another on nearby Chestnut St. But, he never resided there, selling the house soon after its completion to Nathaniel Osgood, a leather dealer, and his wife Eliza. Osgood was the son of the Salem portrait painter, Charles Osgood, whose well-known portrait of Nathaniel Hawthorne now resides in the Peabody Essex Museum. By 1900 the Osgoods had purchased a house on Chestnut St and rented out the house at 9 Cambridge St to a series of short-term renters, among them Charles C. Buffum, famed as the old “foxhunter” claiming to have killed more foxes throughout New England than anyone else. Buffum lives there from 192 until his death in 1915.

Like many homes on this tour, this home was deceiving in both size and style. While it may seem “cozy” and “quaint”, neither of which are inherently bad things, the home is bigger (over 1,900 square feet) than it may appear to be from the exterior.

The home had a distinctive charm and holiday appeal.

I adored the kitchen decor!

I thought this was very cool. When the home owners had work done on their home and grounds, the workers found some interesting materials. These pieces of dinnerware and other debris were found when the owners did remodeling and landscaping.

Something I’ve noticed in a few of the houses I toured was doors, holes and other entryways specially made for pets. This home not only had a walkway above the human furniture, it also had a hole for the cat to walk through. They have quite the life!

I liked how this tour guide got into the holiday spirit with his headwear!

This lighting fixture was very pretty! I would have loved to see what it looks like when it is lighted! Maybe I’ll see that next time I tour the home!

I always try to find something unique or different. Not necessarily anything different from the other homes. But, something that I haven’t posted about before. In this case it’s crown molding, or cornice.

Fun fact: While there may be some minor differences, wainscotting and crown molding are basically the same thing. The only big difference is location. The crown molding is located near the ceiling as shown above. Wainscotting is located low on the wall from the baseboard up to a chair rail.

This was an interesting Christmas tree. At least it’s easy to set up and take down!

The decorations continued into the porch and yard.

I hope you’ve been enjoying these tours! Three more left!


Christmas In Salem – Boughs And Blossoms – 7 Chestnut St – built for Deacon John Stone (Salem, MA)

Date Of Visit: December 6, 2025

Location: 7 Chestnut St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: Home to Deacon John Stone, the home sat 7 Chestnut St had some impressive decor and many original pieces.

Built circa 1827 by architect William Lummus, 7 Chestnut St was commissioned by Deacon John Stone as a rental property while the Stone Family resided at 2 and 8 Chestnut St (the Deacon was doing very well for himself apparently). Early tenants included the Reverend W.R. Babcock, minister of the Baptist Church and, later, James E Sprague, the high sheriff of Essex County.

The house, located on the right side entryway, is known for both its yellow exterior and the asymmetrical double-house design – a rarity in its time. The left side of the house features 4/3 pane windows, dormers and a rectangular entryway, while the right side presents similar windows paired with an arched double-door entry. Above the entryway, a rounded bay window provides additional changes from the left side.

As mentioned above, the home has very unique characteristics from the outside. The exterior of the building was decorated for the holidays.

This decor above the door stood out to me.

The line to get in to the houses can be long. So, we all took delight when these carolers stopped by. On cue, as the were singing, a light snow began to fall.

Eventually, we entered the home of Deacon John Stone, said to be the largest producer of rum in the area. The Deacon had his fingers in a lot of pots, apparently.

In the entryway, we were greeted by some musicians and signers playing holiday songs.

The home had a lot of vintage or original pieces.

The floors were said to have been original to the home.

And the wallpaper was either the original or a replica of the original wallpaper. It never ceases to amaze me how the wallpaper on these homes have lasted so long, especially since people smoked in these homes in the past. I have to paint my walls every few years.

This Berger chair is a vintage piece that would have been common when this house was built.

And I thought my recliner was comfortable.

The house was decorated for the holidays.

As the two trees suggest, there were indeed two separate rooms for dinner parties, festivities and other communal events. However, as was custom at the time, the men would congregate in one room while the women gathered in the other room. Some couples may still wish this custom was in vogue.

I had never seen ornaments of the early leaders of the country before.

Of course, the lighting fixtures caught my eye, especially since this one reminded me of a light we had in my childhood home sans the greenery.

This original fireplace has a very rare marble.

I always enjoy seeing the molding on the ceilings from which the lights hang from.

But, the holiday cheer didn’t end with the interior of the home. As we left the home, this decor was on the back porch.


Christmas In Salem -Boughs And Blossoms – 12 Broad St built by Jonathan Neal (Salem, MA)

Date Of Visit: December 6, 2025

Location: 12 Broad St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: The home on 12 Broad St, built by Jonathan Neal, has some impressive decor, an interesting history and a connection to bees and chickens! I bet that got your attention!

In 1767 Johnathan Neal, a yeoman and carter, built this house on land owned owned by the Neal family since the 1600s; The house Jonathan built was described as two stories high and one room deep with a pitched roof which may have been a recycled from a previous house. Certain elements, such as a front-to- back summer beam on the first floor, suggest a possible pre-1730s date while elsewhere there is beaded box molding suggestive of post-1730s construction. The house is said to have had 6 working fireplaces. It was extensively renovated in the 20th making it difficult to determine which elements are original and which have been restored.

The area of Broad St where this house stands was not far from the town almshouse (a charitable residence, often endowed by a benefactor, providing housing of poor, elderly, disabled or otherwise disadvantaged people in a community) where indigent and very sick people were housed in the 18th century. Because of the location of the almshouses, the street was known as Almshouse Lane.

Neal died in 1790 after falling off the wharf near his almshouse after visiting a “house of intemperance.” Neal landed face first in the mud. Hey, we’ve all had bad nights. Unfortunately, Neal’s bad night was fatal. After his death, the house was divided among his children into four units occupied by the Neal family and in-laws. After the Civil War, the dwelling house became a two-family home and in 1925 it was a single-family home for the first time in over 25 years.

In 1885, Leverett Saltonstall, who grew up on nearby Chestnut St, recalled that Jonathan Neal’s sons had run a bakery at 12 Broad St where pigs were often slaughtered in the yard. The process was so grim and viscous screams and squeals from the pigs could be heard around the block. Because of the noises, Jonathan Neal Jr was taunted by the children as “Piggy Neal who makes pigs squeal.”

Instead of the pigs mentioned above, bees and chickens are now the themes of the house. The owners raise chickens and are beekeepers. There were beekeeping supplies outside of the house.

This is the original wallpaper from the 18th century. I know. I had to ask twice to make sure I heard that correctly.

The home was decorated tastefully for the holiday season.

Keeping with the chicken and bee theme, this tree had chicken and beekeeper decorations (zoom in and look about 1/3 of the way from the top on the left)’

This was one of the fireplaces on the first floor.

I was particularly impressed by the artwork above the fireplace.

I particularly appreciated the wainscoting and traditional decor in the dining room.

I know Christmas is over. But, these posts serve as “left overs” from a holiday season I think we all wish lasted longer! Fear not. I have many more tours to take you all on!


Christmas In Salem – Boughs And Blossoms – 8 Chestnut St (Built by Daniel Gregg)

Date Of Visit: December 6, 2025

Location: 8 Chestnut St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: The historic home at 8 Chestnut St had a decorative and historic feel to it!

Constructed in 1805 by Daniel Gregg, the home on 8 Chestnut was originally built as a one-story store and residence. It is one of the oldest surviving homes on Chestnut St. In its early years, Captain Somers operated a grocery store at the building while David Ashby, sexton of the nearby South Church, resided there. Around 1828, Deacon John Stone purchased the property (one of several he would own on that street) and he added the upper stories. Stone would later convert it into a full residence. By 1830, it was advertised as a rental property before eventually housing the Stone family there.

The house is considered a fine example of the early 19th-century brick Federal architecture. Its elliptical entryway with sidelights and decorative wood panels exemplifies this style.

I was able to arrive just as they were putting on the finishing touches of the decorations.

The home has a side entrance rather than an entrance on the street. One theory for this states it was done to avoid or pay less in taxes since the area facing the street was the area that was taxed. Google and other sources dispute this though claiming it was done more for functionality and aesthetic purposes. In any event, our efficient tax officials have rectified this loophole!

This home has so many little details and history. Even the bricks on the home are unique and interesting. The brick pattern layout on the outside of the house is Flemish bond brick pattern. A common feature in Georgian style homes, the Flemish bond pattern features bricks laid lengthwise (stretchers) alternating with bricks laid with their shorter ends exposed (headers) within the same courses. 

You may have to zoom in to see the details.

The house had a very festive decor.

The fireplace and wainscotting are restored from the original construction.

And, of course, lighting fixtures.

This house in only one of a group of homes on Chestnut St. Stay tuned for more historic homes on this street!