Category Archives: Uncategorized

March 28, 2026

2025 Phantoms By Firelight (Old Sturbridge Village, Sturbridge, MA)

Date Of Event: Oct. 11, 2025

Location: Old Sturbridge Village, 29 Stallion Hill Road, Sturbridge, MA (for GPS directions)

Cost: Prices ranged $28 to $45 for this event (members get a discount)

Parking: Lots of free parking

Universally Accessible: Since most of the events are outdoors, the event was universally accessible. But, many of the buildings at the village are not universally accessible.

Website: Old Sturbridge Village

Summary: Performers showed off their gravity defying, fire breathing and feats of strength at the Phantoms By Firelight event at Old Sturbridge Village.

Old Sturbridge Village transformed into a fiery family friendly festival. Alliteration aside, performers with a diverse set of skills enthralled the audience of people of all ages.

Fire breathing, knife juggling and gravity defying tricks were just a few of the performances on display during the October event at Old Sturbridge Village.

People at the event got into the Halloween spirit. These people cam to the event in their own Halloween costumes!

At the Meetinghouse, there was a display with common fears people had back when in the late 1700s and early 1800s, proving people today are not so different from people off this earlier era. We all have many of the same fears and worried about the same things. Fear of the dark, spiders and heights were some of the fears on display at this exhibit. I have some of these very same fears. Ok, make that all of them. In fact, add rollercoasters and Chucky to the list.

The fear of spiders, also known as Arachnophobia, is a fear many people have. Although some spiders can be venomous, this fear is largely unfounded. See how cute they look!

Claustrophobia, or fear of enclosed places, was, and still is, a very reasonable fear especially since people often worked in confined spaces.

Thanatophobia, the fear of death, is a fear all of us probably have.

Acrophobia, the fear of heights, was another common fear in the 1700 and 1800s. Early New Englanders had to navigate many steep and dangerous cliffs and ledges. Folklore and superstition claimed the “Devil’s Footprint” were on some of these precipices. People were said to be facing tests of faith on these cliffs. People that fell were said to have faced “divine punishment.”

Nyctophobia is a fear many of us probably suffered from as children. People who have a fear of the dark are not necessarily afraid of the darkness. Rather, they fear what may lie in the darkness like n in-law or the tax collector!

People, like these visitors, could write down their biggest fears and add it to the collection box.

If you saw my previous post about last year’s Phantoms By Firelight (2024) event, you may notice many of the events were similar, or the same. But, the performers added different twists, in some cases literally, to their performances. And, in one case, different people were performing.

The first performer was Alexander The Upside Down Man. Or sideways man for that matter!

The musical act Fox and Dragon provided the music for Alexander’s performance.

Philomena and her magic rope kept the audience riveted with her climbing and acrobatic skills. As her entrance, she did a freaky spider walk!

Philomena dazzled the audience with her mastery of the rope!

The highlight for many of the visitors were the “Masters Of The Flame”. These performers were playing with fire. Literally. These talented daredevils put on such an amazing show. Finding the best photos of their feats was very challenging.

Richard Hankes and Ashlee Morgan performed at the finale of the event. Ashlee is a Cirque du Soleil alum and a finalist from Season 19 of “America’s Got Talent.” Hankes and she hold the Guinness World Records holder for “Longest duration balancing on pointe on the shoulders,” with a recorded time of 4 minutes and 2.75 seconds. More on that later.

The finale began with an introduction of the performers. And some dancing by Ashlee and Richard.

Ashlee and Richard showed off some of the skills that put them in the record books.

Ashlee was not done dancing. After she carefully got off Richard’s shoulders, Ashlee did some hot stepping on the stage!

But, Ashlee wasn’t done. Drawing on her Cirque du Soleil experience, she showed off her skills on the rings!

Besides the featured artists, there were many other attractions. For instance, the bridge at the village was lit up and a mysterious fog hung around the entrance.

Inside the bridge were actual portraits from the houses at the village.

This is a portrait of Hannah Elizabeth Tucker circa 1843 (artist unknown). Born June 11, 1836 to Thomas and Nancy Tucker of Newton, MA, Hannah died of marasmus, a deficiency in all the macronutrients that the body requires to function, including carbohydrates, protein and fats, on December 30, 1843. The portrait was probably commissioned by her parents after her death. The portrait shows her marking a spot in her book with her finger. It is a symbol of her life interrupted. Her short life shows how difficult it was to survive and provide what we would consider the basics of nutrition during those times.

This portrait of Maria Brown was made circa 1835 by an unknown artist. Maria and her twin sister Maranda were born in Wendell, MA, on March 19, 1820. At some point they moved with their parents Jonathan and Abigail to Gardener, MA. Maranda died of consumption on April 23, 1844 at the age of 24. Eight months later on January 6, 1845, Maria died from inflammation in her lungs. They are both buried in Gardner, MA, under one headstone.

This is a family portrait that was also hung on the inside of the bridge.

The blacksmith was also busy at work. They always seem to be working on one thing or another whenever I visit the village.

From the pumpkins, flames and the buildings, there were many photo opportunities at the village.

Finally, there was a new attraction at this annual event; Halloween wreaths! After viewing the wreaths, people could vote for their favorite wreath.

This wreath made by Danielle Peters is called “Fall On The Farm.” The theme of the wreath is Autumn. She used blown eggs from her creme legbar chickens and feathers from her heritage breed turkeys.

This wreath had a spell to keep evil away on Halloween attached to the wreath. You may notice some of the elements of the spell, such as the fox and the vulture, are included in the wreath’s design.

For those of you who may be fans of the Nightmare Before Christmas, this wreath made by Jeremy Levesque was titled, “It’s Jack-O-Ween Time!”

“Witch Dream” by Jamie Black was made in honor of his mother. According to Jamie, she loved to be a witch for Halloween and she taught him many of the skills he used to make the wreath.

“The Witches Garden” by Alyssa Kellogg is a hidden garden where witches cast spells, mix potions and deadly foliage grows. The wreath features natural elements such as empty wasp nests acorns, dead hydrangeas and dry leaves.

Kristina Tyree made “Fall-O-Ween as an expression of her love for fall and the beauty it brings. Each piece was cut and stitched by hand from a pattern that she created.

“Ghost Witch Riding On Her Pet Bat Deliver A Wreath” was made by Elaine Hartman. She said she hoped the wreath made people smile. It was her first craft project.

“Pretty Deadly – Midnight Apothecary” by Danielle Ballard was inspired by the Asa Knight Store (more commonly known as the “Village Store” at Old Sturbridge Village) after dark. Danielle described it as a mournful bed of cracked flowers and tulle, dried roses and flowers are interspersed with handmade clay frames and original graphic art from an imagined Midnight Apothecary.

The theme of “Creepy Welcome” is simplicity with a touch of glam. Nadine Bransky enjoyed repurposing found objects into fun home decor.

“Bubble, Bubble, Toil & Tinsel” by Monica and Brandyn Greeno is about witches, potions, brewing and spells.

These are a few more of the wreaths that were on display!

There were some very impressive works of art. I do hope they continue this part of the event!

There were so many events and interesting attractions at the Phantoms By Firelight event. That’s why it took so long to post. I’ll jus try to post the photos more quickly after this year’s event!

15 Comments | tags: history, horror, Massachusetts, New England, Old Sturbridge Village, Phantoms By Firelight, photographs, Photography, photos, Sturbridge | posted in Massachusetts, New England, Old Sturbridge Village, photographs, photography, photos, Sturbridge, Uncategorized

March 11, 2026

Thanksgiving at Old Sturbridge Village (Old Sturbridge Village, Sturbridge, MA)

By New England Nomad

Date Of Event: Nov. 18, 2025

Location: Old Sturbridge Village,

Cost: $30 for daytime events. There are discounts for seniors, military personnel and college students. See their website for additional info

Website:Old Sturbridge Village

Summary: Old Sturbridge Village celebrated Thanksgiving

The week before Thanksgiving, Old Sturbridge Village replicated Thanksgiving in the early United States. From Thanksgiving dinner (more like lunch) and turkey shoots were just some of the highlights of the festivities during my visit.

Thanksgiving was celebrated very differently in New England during the late 18th and early 19th century. Instead of watching football and shopping online for Christmas presents, people went to turkey shoots and cooked some unusual dishes (more on that later).

The first stop was to the small home and garden. I had never noticed before during my many but there is a room located adjacent to the fireplace. It is a very cozy accommodation.

Some of the workers were busy quilting stockings and clothing for the coming winter season. .

The fabric below was dyed using the method from the late 1700s and early 1800s. Dyers in the 19th century used natural materials to make their colors. Housewives gathered black walnuts, oak galls and goldenrod from the countryside. They cultivated plants used for dying like sage in their kitchen gardens. Local New England dyestuffs produced a range of yellows, greens and browns. More vibrant colors usually came from dyestuffs grown in warmer climates. Many country stores stocked imported dyes all over the world.

One of my favorite places to visit at the village is the Blacksmith Shop. The blacksmith always seems to be working on something interesting.

This Blacksmith Shop was originally located in Bolton, MA around 1810. It was relocated to the village in 1957.

Blacksmith Moses Wilder owned land that adjoined a stone quarry operated by his wife’s cousins in Bolton, Massachusetts. Wilder built the Blacksmith Shop using some 400 granite stones from the quarry to form the walls. He was able to maintain a prosperous business making and repairing tools used in the neighboring quarry. His son, Abraham, later took over the business.

Neighborhood blacksmiths undertook several different kinds of work in rural New England, and most towns had several blacksmiths. Some specialized in producing edge tools or machinery. Others shoed horses or turned to wheelwrighting and repairing vehicles. Many did general iron work, repairing manufactured and imported tools, shoeing horses and oxen, and making hardware and other metal items needed in the community.

This tin shop, which was reconstructed in 1975, is believed to have been in operation around 1800 to 1850.

The tin business in New England grew rapidly after 1820. Tin shop owners imported tinplated sheet iron from Great Britain, shaped it into a variety of forms, and distributed their finished goods through peddlers and country stores. They also sold tinware in their shops. Colanders, dippers, dish kettles, funnels, measures, and pans were in greatest demand. Other common items included lanterns, foot stoves, teapots, coffeepots, “tin kitchens”, skimmers, and sconces.

The Tin Shop at Old Sturbridge Village is a reconfigured the early 1800s shed. Here, “tinners” work with hand tools as well as machines that were new innovations in the early 19th century. These machines turned tinplate, made grooves and folds, and inserted wire, increasing a shop’s production.

Sturbridge and the surrounding region were home to some of the foremost rural cabinetmakers of the early 19th century, including Nathan Lumbard and Oliver Wight. These craftspeople, as well as others like them, were integral to 19th-century rural New England communities. In 2017, Village staff and Trustees began working on a plan to create a permanent home for cabinetmaking at the Village. The Cabinetmaking Shop opened in October, 2021, as a highlight of the Village’s 75th anniversary.

In the new cabinetmaking shop, cabinetmakers discuss the tools and techniques used in period furniture construction, including turning demonstrations on a treadle lathe, preparing stock with hand tools, and Federal-style table construction.

The Cabinetmaking Shop is a hybrid building, built using both historic and modern building methods in the construction of the Shop. The shop is patterned after period structures operated by early 19th-century New England craftsmen. Many elements of the final Cabinetmaking Shop will be created by craftsmen and interpretive staff working in the Village, including reproduction period tools, doors, shelves, and the box stove. The large timbers for the construction of the shop were even cut by the Village Sawmill.

The sawmill was one of the most important buildings in the village. This sawmill was reproduced in 1984.

This rare water-powered sawmill—erected on the millpond site that David Wight, Jr. first created in the 1790s—is used to cut lumber for Old Sturbridge Village and other historic sites. The Sawmill is based on what had been one of the oldest surviving sawmills in the area: the Nichols-Colby Sawmill of Bow, New Hampshire, which was destroyed in a 1938 hurricane.

Although the Village demonstrates sawmilling in spring, summer, and fall, rural mills were busiest during late winter and early spring, when waterpower was most abundant and the demands of farming were less pressing. Sawmill account books suggest that since it was so difficult and expensive to transport logs and lumber, mills like this one concentrated on custom production for local customers.

The Gristmill was also active during my visit.

The Gristmill was one of the first buildings constructed at Old Sturbridge Village. Built on the site of the Wight family’s original gristmill, the mill is made of recycled old timbers and new lumber. The mill’s massive millstones and other parts came from the Porter Gristmill in Hebron, Connecticut.

Gristmill owners served their customers by grinding grain into flour and meal for baking or provender for feeding livestock. By Massachusetts law, a miller could charge a fee or toll of 1/16th of the grain bought to him as payment for milling the rest. But rural milling was changing along with the rest of the economy; even in the countryside, cash fees were beginning to replace traditional tolls.

Originally built in Worcester, MA around 1780, the Printing Office was moved to Old Sturbridge Village in 1951.

Printing required speed, dexterity, and strength. Setting type and printing were generally the work of men and boys, but women were employed in stitching and binding books. Country printers concentrated on books, pamphlets, broadsides, and forms. Newspapers were seldom profitable in small towns, but many rural printers tried to make money from them. In order to have a variety of titles for their customers, rural printers exchanged large quantities of books with printers throughout New England. Then they sold the books to country merchants, often taking store goods in exchange. By 1820, many were printing books for publishers in Boston, New York, and Philadelphia.

The Printing Office at Old Sturbridge Village was owned for a time by noted printer Isaiah Thomas. Thomas moved from Boston to Worcester during the Revolutionary War to preserve his freedom to publish. It is unlikely that Thomas printed in this building, but the association with him is important. As one of America’s most successful printers, he trained many craftsmen, who influenced the trade for two generations.

The printer showed off the tools of the print shop as well as how the papers were printed on. This copy of the Connecticut, which was printed on the printer in the office is an original from the 1800s.

Of course, what would a Thanksgiving celebration be without a feast?

Thanksgiving was the biggest holiday in 19th century Sturbridge. While the turkey is usually the biggest part of the Thanksgiving meal in modern day America, it was not the case in 19th century Sturbridge. And, other parts of the meal were considered more important. es were baked weeks ahead of time and stored in unheated attics and bedrooms where they would freeze and keep for months. Pies not consumed at Thanksgiving would sometimes last until April. Also, while many people might be surprised to read this, prayer was not said before the big meal. Grace, or a proclamation of gratitude, was often said before the meal.

Turkey wasn’t the only thing on the menu. This hoof (possibly from a boar, sheep or deer) was a common delicacy of these meals.

But there were also more savory items like pies, cake, vegetables and a turkey cooking near an open flame.

Sometimes, they would store extra vegetables in unusual places!

The highlight for most, though, was the “turkey shoot.” But, no turkeys were harmed during this event. Men and women from the village took their turns at trying to hit the targets. While beginning to fall out of favor by the 1830s, competitive turkey shoots were still fairly common New England events in the fall and early winter. Participants would pay cash to shoot at nearly impossible ranges to try to win their own bird.

While no animals were used or harmed during the shoot, there were other targets used in the shooting. Instead of turkeys or other living things, the shooters aimed at the paper targets, jugs and bowls.

These are the rounds used during the time of the turkey shoot they were recreating. The shooters used the largest projectile to the left for the target practice. Imagine getting hit by that bullet, or any of these bullets for that matter. Ouch.

There were musicians and a few roosters at the turkey shoot.

I couldn’t end my post without adding some of my favorite artsy photos. One of the things I like to photograph in the village are the windows. If you get it the right time of the day when the light is shining just right, you can get some pretty photo opportunities.

14 Comments | tags: Historical, history, Massachusetts, New England, Old Sturbridge Village, photograhy, photographs, Photography, Sturbridge, Thanksgiving, travel | posted in historical, history, Massachusetts, New England, Old Sturbridge Village, photographs, photography, photos, Sturbridge, Thanksgiving, Uncategorized

February 26, 2026

2025 Art In The Orchard Part 3 (Park Hill Orchard, Easthampton, MA)

By New England Nomad

Date Of Visit: October 18, 2025

Location: Park Hill Orchard, 50 Payson Ave, Easthampton, MA (2 hours west of Boston, MA, 45 minutes north of Hartford, CT)

Cost: Free

Universally Accessible: Yes. The staff at Park Hill Orchard offer a Accessible Art Cart for those who need assistance.

Dog Friendly: Yes

Summary: Art In The Orchard featured dozens of works of art from local artists.

Welcome to the third and final post from the Art In The Orchard art exhibition.

Yes, believe it or not, this is the last post of the art work at the Art In The Orchard event. And there are a few extras at the end of this post from the event. I hope you have enjoyed the posts from this event!

The first art installation in this post is “The Graces” by Ray Ciemny of Groton, MA.

Made of stainless steel, “The Graces” is an attempt to draw attention to the wind and the invisible world that envelops us all.

What captivates Ray and inspired the work of art is the notion of keeping the doors of experimentation and materials exploration open. The keys to these doors are Ray’s head and heart functioning together with an instinctual tension.

Ray tries to give new life to metal objects that were once useful and have become worn or obsolete. Ray endeavors to create a nirvana from scrap. Tension and movement whether physical or suggested has to be present in the work to make it worthy of existence.

Bamboo has always fascinated Philip Marshall of Grafton, MA. For his work of art “Bamboo 2”, Philip used construction grade bamboo, Eastern white cedar, laquer, paint and cord to create an abstract piece similar to the ones he has made using steel.

Philip is a painter and sculptor based out of Massachusetts. But, he was born in Kent, England. He is drawn to public art for its freedom of scale and because he views it as “gateway art” for those who rarely visit a gallery or museum. Although Phillip takes painting and sculpture commissions, his primary focus has been creating outdoor sculptures for temporary public exhibitions. His varied life experiences, extensive world travel and the people he has encountered, provide a rich source of material.

Michael Tillyer of Conway. MA, used a fourteen foot pine tree and some metal to make “Totem.”

This sculpture did not have a sign identifying the work of art or artist. The birds liked it though.

“Rabbit” by Tim MacKenzie of Hull, MA, was made of marble.

In an orchard, Velma stands proud – a stone rabbit sentinel with ears to the breeze and secrets to keep. Forever frozen mid-thought, she ponders the mysteries of morning dew and moonlight dreams.

The sculpture “Joy” by Michael Perusse of Easthampton, MA, is a remembrance and reflection of moments of joy in our lives. The movement of the figures, which are made of Pal Tiya (a cement-based weatherproof sculpting medium that cures to a stone-hard finish without baking or firing which is ideal for durable indoor or outdoor sculptures) can be a moment of silliness, dance, sports achievement, a simple morning stretch in a ray of sunshine or as complex as finishing a law degree and everything in between. It’s that moment your body, heart, mind and soul are one in Joy within yourself or with others.

This is a miniature sized model of the work of art.

Lynn Richards of Sommerville, MA, is interested in how light transforms fused glass to create a dynamic viewing experience. After seeing a Georgia O’Keefe exhibit, Lynn was inspired to create a larger than life glass flower bouquet which would become “Flourishing Buds.” She used bullseye glass with steel rods to create the various flower elements. The glass was cut into realistic and abstract shapes that invite the viewer to interpret the bouquet. Finally, the flowers are designed to ensure wind can easily pass through the swirl on a steel rod.

“The Four Elements Personified” by John Collins of Ware, MA, displays the four elements (water, Earth, wind and fire) as humans. Each bust made of fire clay with metal coating finish with a marble, cast iron stand, represents each element. Mounted on a four tier marble and steel base, the work unites the distinct energies of Satan, Lady Wind, Mother Earth and Poseidon.

Dave Rothstein of Florence (Northampton), MA, used hay, straw, chicken wire, steel, aluminum and a lot of ingenuity to make “Beetle in a Haystack.”

The most beautiful things are often fleeting and right under our noses. But if we don’t take time to observe we often miss out. “Beetle In A Haystack” pays homage to the ubiquitous hay bales that blanket the New England landscape. They are so commonplace that we often take them for granted. So, the next time you’re driving by a far,m or other landscape in New England or some other rural area, pause and take a look (safely).

Most hay bales contain much more than hay. You’ll often find Goldenrod, native mints, bergamot (a fragrant citrus fruit native to southern Italy) and other plants.

So it’s no surprise that Beetle In A Haystack hovers over the “Harmonics Gardens Labyrinth” filled with native grasses and medical plants and abound with pollinators. Please experience its magic and maybe you’ll discover the elusive calm and peace we search so longingly for, See what you learn about yourself and the natural world in the process.

“Peace Pole: A beacon for hope and desire for peace” by Jane Pelton Andresen of Easthampton, MA, is the perfect work of art to end this series of posts. The pole, which is made of wood, acrylic panels and clay, is meant to connect people. She included indigenous languages from the region, in this case Mohawk (territory to the west) and Wampanoag (territory in what is now eastern MA, RI and parts of CT). Both languages are still spoken today. She also included Spanish as it is the most non-English language spoken here.

The rainbow stripes represent the fact that peace without freedom and equity is not true peace.

The symbols on the pole represent what Park Hill Orchard has given to our community.

While the art from the artists was plentiful, there was additional art at the park.

There was this Poetree at the park. The Poetree included poems attached to the tree.

There were also other sculptures and works of art that were not part of the event. Some of them were sculptures the artists were selling and some were things I just noticed at the park.

During the event, one of the sculptors, John Collins, was making a sculpture of a girl’s head.

And, there was also a rooster and chicken, specifically a Golden Laced Wyandotte chicken.

AS you can see, there was lots of art at the event. But, what struck me most was the meaning and theme of the works of art. There were some very meaningful messages to some of the art! It also goes to show how creative people can be!

8 Comments | tags: art, Art In The Orchard, Easthampton, Massachusetts, New England, photographs, Photography, photos, poetry, sculpture, sculptures, travel, writing | posted in art, Art In The Orchard, Massachusetts, New England, photographs, photography, photos, sculptures, Uncategorized

February 24, 2026

2025 Art In The Orchard Part 2 (Park Hill Orchard, Easthampton, MA)

By New England Nomad

Date Of Visit: October 18, 2025

Location: Park Hill Orchard, 50 Payson Ave, Easthampton, MA (2 hours west of Boston, MA, 45 minutes north of Hartford, CT)

Cost: Free

Universally Accessible: Yes. The staff at Park Hill Orchard offer a Accessible Art Cart for those who need assistance.

Dog Friendly: Yes

Summary: Art In The Orchard featured dozens of works of art from local artists.

Welcome to the second part of my Art In The Orchard post! Even though I am posting quite a few sculptures and other works of art, there are still many more to share with you all. This is why I debated posting them at all. It is fairly big undertaking and I didn’t want to bore anyone with the volume of art. But, these sculptures and other works of art are so impressive, I doubt they will bore any of you!

Well, it’s another weekend and that can only mean one thing in New England: more snow! So, to brighten my and everyone else’s mood in New England and anyone else experiencing inclement weather, what better way to get our minds off this wintry weather than to look at some photos from a warmer and prettier time!

“Spiders” by Matt Evald Johnson is the first installation in the second post from the Art In The Orchard event. I know. I get it. I’m not crazy about spiders either. But, look at that face! On his Instagram profile, Matt describes himself as a “spider protector.” So, it makes sense that he would make such cute creatures for the event.

“Infinite Delicacy” by Lee Williams of Shaftsbury, VT, is a colorful work of art that shows the deconstruction and construction of nature and other things in our lives.

Lee, whose installation is made of paint and wood, makes art by disrupting things. Deconstruction becomes construction. Action interrupts contemplation as a means of accepting a path among many alternatives. Lee thinks there is a constant fluidity and changeability and elements influence one another as they entangle and smear together. The color pink saturates the sculpture which is rare in nature. It moves us toward the sublime. Poised between laughter and despair, they call to mind the natural and unnatural in their materiality.

The Fiberistas, a group of nine women artists in western MA who love to work with fiber, worked together to make a group of art installations called “The Arches Of Hampshire County.” Each work of art in this installation had 7 works of art made by different artists. All of the works of art were made with nylon twine, thread, fabric, yarn, wire and wool felt.

The first work of art was “Raphaella”(Queen of Healing) by Martha May of Holyoke, MA. It appears to be a snake with perhaps some eggs ready to hatch on the ground next to her.

RAZZAMATAZZ” by Barbara Kline of Leverett, MA, features carnival performers. Ringling Bros, no offense, has nothing on these performers!

The next work of art for this installation was “Flutter” by Martha Robinson

Nancy Young of South Hadley added to the art installation with “The Monkey Brother’s Circus” (Not All Elephants Are Gray!).

“Irish Lace Crochet” was created by Eileen Travis.

Sally Dillon and Flo Rosenstock of Amherst, MA, created “Caterpillars & Fungus Among Us?”

The final piece of this extensive art installation is “I Dream Of The Sea” by Margaret Stancer of Pelham, MA.

I told you (in the earlier post) there were a lot of works of art!

One of the things I noticed is people expressing a desire or need for people to come together and connect through their work. This is a common theme during these times. Eileen Jager‘s work of art called “We Are All One Planet” was an example of this.

Eileen, from Easthampton, MA, presented Planet Earth as the egg in a nest. The work of art, made of glass mosaic, Pal Tiya, willow, moss, pine cones and needles, represented the elements of Earth; air, fire, water and earth. Like our Earth it is resilient yet fragile. The work of art shows the forces of nature are strong and how we all inhabit this planet. The proverbial flap of a butterfly here can become a tsunami there. It’s time we understand we are all connected, we are all one planet and we all share our living, our dying and out birth.

Carved from a single block of Bethel white granite, the “Swan Side Profile” by Ryan Ackerman of Quincy, MA, merges Art Nouveau elegance with enduring strength. Shaped using a liquid oxygen/biodiesel quarry torch (the same fuel mix used in NASA shuttles) alongside diamond abrasives and air chisel, the sculpture reveals fluid grace within dense, glacial stone.

“Salutation” by Scott Keeley of Charleston, RI is an abstract figurative form in a pose that represents an international symbol of welcome and peace. The figure, made of cast iron, stands tall, arms wide open, her face gently tilted upward yet gazing at the viewer. The geometric form of the face is a reference to Constantin Brancusi. Like the way the beak in “Bird In Space” is a truncation of the soft form that makes up the body of the bird, the face in “Salutation” is a revolved cut in the soft form that makes up the torso of the figure. The focal point of the sculpture, the figure’s face, is expressed by what is taken away.

This large-scale abstract sculpture named “Medusa” by Chris Plaisted is a bold and striking work of art that captures the essence of the mythological figure while pushing the boundaries of traditional representation.

Rather than depicting Medusa in a realistic or literal way, the sculpture, which is made of steel and enamel paint, takes on an abstract form that evokes the snake haired, fearsome nature of the mythological figure. While the eyes, nose and mouth facial structures remain, components and shapes are added to make the face less obvious.

Made of stainless steel and reclaimed wood, “Forward” by Lindsey Molyneux is a tribute to horses. Throughout history, horses have played a pivotal role in altering the course of conflicts, expanding human boundaries through exploration and facilitating cultural exchanges. This transformative impact mirrors the power of connection and communication, which are more crucial now than ever.

As symbols of movement and progress, horses act as a metaphor for the human journey how, despite our differences, we can forge paths toward greater unity and movement forwards.

“Bench People” by Ed Mcaloon is designed to be both entertaining and functional. The configurations of the seat, made of welded recycled steel with oil based paint finish, are intended to invite the seated folks to face each other and interact.

The selection of female and male themes is meant to be inclusive. When positioned facing each other, these pieces create a fanciful environment.

Keeping with the chair theme, Mark Fenwick of Guilford, VT, created :Andromeda’s Chair” made of hemlock. There also seems to be a little visitor sitting in the chair. The wooden chair in the similitude of a sea wave washed rock. Andromeda was an Ethiopian woman threatened by a monster. Perseus came along and turned the beast into a rock by showing it the head of Medusa.

“Olie” by Dan Rocha is a contemporary interpretation of a carin. Carins, a stack of stones, are usually used as markers on hiking trails. While most carins are made of rocks and stones, this particular carin was made of PVC, aluminum sheet and paint. In Celtic prehistory carins also have a spiritual significance as they were used as memorials and as burial chambers.

This concludes the second part of the Art In The Orchard exhibit. But, don’t fret. There are many more to show in my following posts!

7 Comments | tags: art, Art In The Orchard, Easthampton, exhibition, exhibitions, Massachusetts, New England, photographs, Photography, photos, sculptures, travel | posted in art, Art In The Orchard, Easthampton, Massachusetts, New England, photographs, photography, photos, sculptures, Uncategorized

February 21, 2026

2025 Art In The Orchard Part 1 (Park Hill Orchard, Easthampton, MA)

By New England Nomad

Date Of Visit: October 18, 2025

Location: Park Hill Orchard, 50 Payson Ave, Easthampton, MA

Cost: Free

Universally Accessible: Yes. The staff at Park Hill Orchard offer a Accessible Art Cart for those who need assistance.

Dog Friendly: Yes

Summary: Art In The Orchard featured dozens of works of art from local artists.

Raise you hand if you’re sick of this cold and wintry weather. Since I still have lots of photos from events and places I have visited last year, I thought it would be a good time for a change of pace and post some photos from a milder, more colorful time.

Nature and art go hand in hand. Hence, the Art In The Orchard exhibit. The aim of Art In The Orchard is to blend art with horticulture. Two of my favorite things!

Created in 2011, Art in the Orchard is a juried outdoor sculpture and installation exhibit showcasing the work of local and regional artists. Set on the grounds of Park Hill Orchard, the Art In The Orchard event is nestled among apple trees, small fruit gardens and landscaped farmland.

Because there were so many art installations (well over 30) and in some cases lengthy descriptions of each exhibit, I am posting this event in parts. In fact, I have photographed this event in years past. But, it was too overwhelming and time consuming to post all of the photos from the exhibit. Maybe, in the future, if I can find those photos I took I can post photos from those other years. Also, since this was a “meet and greet” event, you may notice artists posing next to some of their works. As an added note, some of the names of the artists were very familiar as I have photographed some of their works in the past. For instance, Harold Grinspoon, the artist of the first work of art has many works of art installed throughout western MA, namely at the Big E Fair at the Eastern Exposition Center in West Springfield, MA, and at Mittineague Park, also in West Springfield, MA.

One of the things that stood out to me was how all of New England was represented in the art. From Vermont to Connecticut, people came from all over New England to show their art.

The first work of art at the event was “Big Bang” by Harold Grinspoon of Agawam, MA. “Big Bang” is made of charred wood center and acrylic rods. It is meant to be a celebration of special occasions and to remind us to be joyful of life. The rods individually capture light and reflect it back. But, together with others it creates an impact and good feelings in us.

“Baroque Composition, Standing Figure” by David Skora of New Hartford, CT, made of welded polychromed steel, is the next exhibit. Created in the modernist tradition, “Baroque Composition, Standing Figure” was a welded fabricated metal sculpture of abstracted forms. The sculpture attempts to appropriate the energy and exhilaration of David’s interpretation of the Baroque style of art and architecture he observed while visiting Spain.

The next piece is not really a work of art. The red frame is often used for people to take selfies or photos with friends and loved ones. The hills and trees make for a beautiful backdrop, especially during foliage. It is installed at every Art In The Orchard event.

“Acknowledgement” “by Diane Travis of Northampton, MA, is a nod to “land acknowledgement.” You may have seen some signs or markers on the ground acknowledging “native land” or other forms of land acknowledgement (I’ve seen several of them in Boston and Salem, MA). This installation, made of a found table, brass copper, aluminum, paint and wood letters, is meant to be a tangible. interactive sculpture situated on the land people to refer to during “land acknowledgements” at meetings and gatherings. It also pays tribute to the original people of the land.

A compass rose set upon the table orients the viewer in the landscape of Mt. Tom, short for “Tomhoganompekut.” Say that three times fast. I dare you. This name roughly translates to “Tomahawk Stone Place.” For millennia, Indigenous people used the unique stone there to make tomahawks.

Stools set at North, South, East and West invite people to sit and contemplate the land in all directions. Visitors are encouraged to sit and contemplate the land and history in all directions. The compass has an inner and outer circle of names; the inner circle refers to the Ancestral names of original people in the area. The outer circle names and acknowledges the continuous and current presence of Native people in the wider region of Dawn Land now called New England. “Acknowledgement” is meant to confront tropes of the “Disappeared Indian”, asserting, “We are here.”

“Big Mama With Glass ” by Robert Osborne of Athol, MA is the next art installation. I was fortunate enough to meet the artist of this work of art during the event. Robert told me the “Big Mama With Glass”, which is made of solid aluminum bar and solid glass rods, was the largest of his “Mama” sculptures. He said the “Dia generation” which is Michael Kimmelman’s label for minimalists and conceptualists many of which are on view at the Dia in Beacon, NY, to be the most relevant today. Their work, according to Robert, is about optics, light, architecture and a unique philosophical approach to seeing and thinking. Robert is also intrigued by the string constructions of Fred Sandback because of his exploration of volume and space. Robert hopes to make people question and really look closely and think about the images and their interactions with his art.

“Coming Home To Roost” by Easthampton resident Christopher Woodman was inspired by some unsavory looking guests in his backyard. The art installation, which is made of a factory fan hub, multiple hand saws and other found metals and wooden beams, was inspired by turkey vultures. The previous Fall, the trees in Christopher’s yard were the chosen home for dozens of turkey vultures. Christopher was taken by the calamity in their process. He observed that for masters of the wind, they don’t always stick their landings. At one point, Christopher counted 60 buzzards, which was close to 400 ft of wingspan.

When choosing a focal point for his piece, the vulture idea hit a lot of themes for Christopher. He especially liked using discarded parts and appreciated the balance of nature and renewal. He also wanted to show the ominous and foreboding specter of the future.

Gints Grinbergs of Dedham, MA created “Queen Anne’s Lace” with stainless steel tubing found metal rods, bent landscape spikes and cast off stainless steel washers. It strives to depict forms and structures found in nature as it reaches for the sky, turning it’s head towards the sun. The backdrop of foliage and pumpkins made the installation look prettier.

“Three Small Flames” by Antoinette Schultze of Eliot, ME, is the next art installation. The work of art, which was made of granite and glass, was a work of nostalgia. It represented her nostalgia for place, specifically home, with the candles burning. The three small flames can be found at the bottom of the granite installation.

Antoinette began her art career in 1961 when she auditioned for an Impressionist class at Columbia College in New York. Antoinette learned that an artist can express their feelings, not just copy nature. The materials and process of creating her sculptures are a manifestation of herself. Antoinette can carve stone and wood, coupled with glass into a marriage seeking light. Although the work is dirty, time consuming and laborious, Antoinette finds it to be meaningful and rewarding. The work brings order and insight into what she calls a chaotic world. Calling herself the “singing sculptor”, Antoinette said she often sings and speaks to herself as she works.

The next sculpture “River Siren” by Joshua Ruder of Greenfield, MA, is a little unusual. It is interactive. The sculpture made of stone, metal and concrete has a stone attached by a string to the other side of the sculpture. And yes, it does make a “siren song sound.

Joshua found the perfect curved contour in the stone while he was wading in a river. He felt compelled to carve the stone and continue the process of carving that nature had begun.

“Rebirth” by Gregory Didyoung of Wilmington, VT, is a sculptural interpretation of the phoenix myth. Reborn from its own ashes, the phoenix symbolizes renewal, resurrection and immortality. The sculpture was made of found metal and reused and reborn into something new. Cracking the nested egg into two halves the phoenix rises and flaps his wings for the first time.

While the meaning of “Erebus” by Trisha Moody may seem straightforward, it has a deeper meaning. The sculpture which is made of steel, iron and recycled tools is actually a commentary of human beings. The sleepy dragon which looks beautiful and dangerous, is similar to how we are often asleep and how we all react differently when woken. The dragon is playfully being tapped by the fairy to join her in the woods. It shows how two very different creatures can play together. It also shows how we have the ability to act together in a community and how we can choose to be the gentle giant or the fire thrower.

Brendan Stechini of Belchertown, MA, described his sculpture as being like a scientific instrument. He described it as being like a lighthouse with a round mirror that projects and reflects light, turning 360 degrees, oscillating like a weathervane. The mirrors on the outside legs capture the sky and the tops of the trees. The mirrors on the inside reflect the ground and our footprints. At the top of the sculpture, the steel rod points to the heavens. Brendan suggests looking at the sculpture with “new eyes” and “holding a mirror up to it” This sculpture represents how we can look at the same facts from an alternative perspective.

Malcolm White of Leeds. MA made some impressive sculptures all out of grape vine. Perhaps you heard about them through the…well you know.

Malcolm’s installations consisted of Pegasus the hippo, Long Tall Sally the giraffe and Atlas the elephant.

Malcolm has two objectives for his work: making a connection and bringing some joy to those who view his work. Malcolm uses material found in the landscape where he lives and which will decay into the same landscape without harm to the environment. He feels joy and a connection to the environment when he is making his works of art. If viewers feel the same connection and joy, Malcolm feels he has succeeded in his goals.

Malcolm was inspired by Greek mythology when making these sculptures. For instance, Pegasus was a flying horse from Greek mythology and hippos, or as the Greeks proclaimed them “river horses”, fly about in the watery world. So, the hippo is worthy of the name Pegasus. If you have seen a hippo gracefully swimming underwater you can see why he named it Pegasus.

Stay tuned for parts 2 and 3 (and maybe 4)!

11 Comments | tags: art, Art In The Orchard, artist, Easthampton, Massachusetts, New England, Park Hill Orchard, photographs, Photography, photos, sculpture, sculptures, travel, Western Massachusetts | posted in art, Art In The Orchard, Easthampton, Massachusetts, New England, photographs, photography, photos, sculptures, travel, Uncategorized, western massachusetts

December 30, 2025

Christmas In Salem – Boughs And Blossoms – 18 Broad St – The Pickering House (Salem, MA)

By New England Nomad

Date Of Visit: December 6, 2025

Location: 18 Broad St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: The Pickering House is both the biggest and perhaps most impressive homes on the tour!

The Pickering House was built in 1660 by John Pickering. From its construction until 1998, ten generations of the Pickering family lived in the home. Since 1998, it has continuously occupied by a caretaker family, making it the oldest continuously inhabited house in the United States. Over the centuries, the home has hosted numerous visitors including George Washington who is said to have dined at the very same table that is still in the house. The original portion of the home – the front living room – retains its exposed beams from 1660. Additional sections were added over time, with the most recent major renovation, the kitchen, completed in 1911. The exterior, a Gothic Revival Influence, was chosen by John Pickering VI to mirror European architectural trends during his time at the residence.

The most impressive building, at least from its exterior, the Pickering House is also the oldest home on the tour.

One of the features of the home that caught my attention was the chimney which is a group of flues from several chimneys.. You can see the chimney in the left of the photo below. The reason for the shape of the chimney was to allow for all of the flues from the various fireplaces in the home. When it was renovated, the home owners wanted to duplicate that look even if the home didn’t have as many fireplaces in it any longer.

There is a lot of history inside the Pickering House. For instance, the home still has the original wallpaper.

And this couch which was a gift from Eleanor Roosevelt.

There were pretty decorations and furniture throughout the home.

To keep the large home warm, this fireplace was said to have been much bigger. The fireplace was originally from doorway to doorway. It was downsized during renovations.

Just like most historic homes in Massachusetts, and New England for that matter, George Washington slept in this home. It’s amazing how this rumor or legend has become a claim to fame for so many homes and inns. Legend has it George Washington slept in one of the second floor bedrooms. It is said that Washington stopped by the Pickering house and tied his horse to an old locust tree in the front yard when he visited Colonel Pickering in 1789. But, whether he slept there is still a bit of a mystery. Everywhere I looked for information to support this claim either didn’t mention anything to support it or used hedge words like “rumored” or “legend has it.” In any event, that’s their story and their sticking to it.

There also musicians playing Christmas music in one of the dining rooms. I could have stayed all day and listened to them.

As if that wasn’t enough, the Pickering House also had a barn that was lit up and decorated for the holiday season. It was a festive way to end the tour of the home.

5 Comments | tags: Christmas, Christmas In Salem, Massachusetts, New England, photographs, Photography, photos, Salem, travel | posted in Christmas, Christmas In Salem, history, Massachusetts, New England, photographs, photography, photos, Salem, travel, Uncategorized

December 27, 2025

Christmas In Salem -Boughs And Blossoms – 12 Broad St built by Jonathan Neal (Salem, MA)

By New England Nomad

Date Of Visit: December 6, 2025

Location: 12 Broad St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: The home on 12 Broad St, built by Jonathan Neal, has some impressive decor, an interesting history and a connection to bees and chickens! I bet that got your attention!

In 1767 Johnathan Neal, a yeoman and carter, built this house on land owned owned by the Neal family since the 1600s; The house Jonathan built was described as two stories high and one room deep with a pitched roof which may have been a recycled from a previous house. Certain elements, such as a front-to- back summer beam on the first floor, suggest a possible pre-1730s date while elsewhere there is beaded box molding suggestive of post-1730s construction. The house is said to have had 6 working fireplaces. It was extensively renovated in the 20th making it difficult to determine which elements are original and which have been restored.

The area of Broad St where this house stands was not far from the town almshouse (a charitable residence, often endowed by a benefactor, providing housing of poor, elderly, disabled or otherwise disadvantaged people in a community) where indigent and very sick people were housed in the 18th century. Because of the location of the almshouses, the street was known as Almshouse Lane.

Neal died in 1790 after falling off the wharf near his almshouse after visiting a “house of intemperance.” Neal landed face first in the mud. Hey, we’ve all had bad nights. Unfortunately, Neal’s bad night was fatal. After his death, the house was divided among his children into four units occupied by the Neal family and in-laws. After the Civil War, the dwelling house became a two-family home and in 1925 it was a single-family home for the first time in over 25 years.

In 1885, Leverett Saltonstall, who grew up on nearby Chestnut St, recalled that Jonathan Neal’s sons had run a bakery at 12 Broad St where pigs were often slaughtered in the yard. The process was so grim and viscous screams and squeals from the pigs could be heard around the block. Because of the noises, Jonathan Neal Jr was taunted by the children as “Piggy Neal who makes pigs squeal.”

Instead of the pigs mentioned above, bees and chickens are now the themes of the house. The owners raise chickens and are beekeepers. There were beekeeping supplies outside of the house.

This is the original wallpaper from the 18th century. I know. I had to ask twice to make sure I heard that correctly.

The home was decorated tastefully for the holiday season.

Keeping with the chicken and bee theme, this tree had chicken and beekeeper decorations (zoom in and look about 1/3 of the way from the top on the left)’

This was one of the fireplaces on the first floor.

I was particularly impressed by the artwork above the fireplace.

I particularly appreciated the wainscoting and traditional decor in the dining room.

I know Christmas is over. But, these posts serve as “left overs” from a holiday season I think we all wish lasted longer! Fear not. I have many more tours to take you all on!

6 Comments | tags: beekeeping, Christmas, Christmas In Salem, Historical, history, Massachusetts, New England, Salem, travel | posted in Christmas, Christmas In Salem, historical, history, holidays, Massachusetts, New England, photographs, photography, photos, Salem, travel, Uncategorized

December 19, 2025

Christmas In Salem – Boughs And Blossoms – John Fullington House (Salem, MA)

By New England Nomad

Date Of Visit: December 6, 2025

Location: 19 Cambridge St, Salem, MA (about 30 minutes northeast of Boston, MA)

Universally Accessible: No

Cost: $40 per ticket ($50 if you purchase day of tour tickets)

Parking: There are several parking garages in Salem, as well as metered on street parking.

Summary: The John Fullington home, constructed in 1807, is full of lots of surprises.

Although records show this home was built in 1807 by John Fullerton, it was really built by John Fullington, a bricklayer. The house has gone through some changes since it was originally built, though. It is now stylistically considered a mid 1860s home. While the original structure may have been in the federal Style, the house has been redesigned in the Second Empire Style around 1865. Some of the elements of the Second Empire Style include the mansard roof with flared eaves punctuated by dormer windows, large and small decorative brackets and the recessed side hall entrance containing double doors. The front doors were recently restored by a Salem based artisan. The door hood is topped by a flat cornice upon which rests a rectangular bay window.

During the late 19th century, renovations in the rear extension were added, creating a larger kitchen as well as a small upstairs bedroom.

James J. Buckley, a wine merchant, acquired the property in 1865. He most likely was responsible for the major renovations that were made to the house at that time. Buckley owned a liquor store on Washington St and shared the home with his wife Margaret and their son James O. Buckley. After Buckley’s death in the early 1870s, Margaret continued to live in the house until 1919 when it was sold to Isabella Murphy, the widow of John Murphy. Her son, Edward, a painter and leather worker, lived there with his wife until the 1950s. Mary Murphy occupied the house until the 1980s.

The home tour guide made an astute observation at the entry way of the home and I agree – the owner of the home must not have cats. If you know, you know.

The home did have some unique and unexpected features like this bell above the doorway.

Besides a certain type of decor I will touch on later, the owner of the home has a special affinity for our 16th President. The top hat on the book is a tribute to Abraham Lincoln. There’s also an Easter egg on the floor on the right side of the Christmas tree.

One of the pieces of decor that stood out to me were the chairs.

This chair is a 1880’s Victorian chair model.

I also liked the Christmas decor in and outside of the home.

I agree with this sign!

And, if you’ve been following my posts, you know I appreciate most of the lighting fixtures of these homes. This light had an environmental feel to it.

Now, back to the special theme of the home that I alluded to previously and the “Easter egg” from earlier in the post. This home like some of the homes on the tour had a theme or certain type of decor. The theme of this home was rocking horses! The owner of this home really likes rocking horses.

As you can see, the Fullington home was full of charm, Christmas cheer and a few pleasant surprises!

9 Comments | tags: Christmas In Salem, Historical, history, John Fullington House, Massachusetts, New England, rocking horses, Salem, travel | posted in Christmas In Salem, historical, history, homes, Massachusetts, New England, photographs, photography, photos, rocking horses, Salem, travel, Uncategorized

November 18, 2025

Gnome Village (Salem, MA)

By New England Nomad

Date Of Visit: September 28, 2025

Location: Essex St, Salem, MA

Universally Accessible: Yes

Summary: On Essex St in Salem, MA, there is a hidden gem; a special, hidden gnome village on Essex St.

If you’re not looking for it you could easily miss a special village in Salem, MA. But, this place is not any city, town or hamlet in the city. In fact, sometimes it doesn’t even stay in one area!

While the village does indeed stay in one area, figurines, homes and other parts of the village are moved from time to time. Or, maybe they move on their own!

The villagers like to relax with their instruments.

But, it’s not all fun and relaxation at the village. Keeping up the village takes a lot of work. So, the gnomes are hard at work watering plants and flowers and doing other upkeep!

Although I’m not exactly sure, I think these gnomes began appearing a few years ago when the city had a gnome or fairy trail. Small displays were placed in various locations around the city and people were encouraged to find them all. It appears this village has lived on from that earlier display.

Sometimes, the gnomes get up to some questionable behaviors! But, we all like to cut loose sometimes.

The gnomes have a simple, happy life except for one luxury. They do like their castles and specialty homes! These may look like simple, small dwellings. But, with the price of rent these days, I’m sure they are not so cheap!

I am not sure how long the gnomes will remain in their present location. So, you may want to see them before they go south for the winter!

You can follow me at the following social media:

https://www.facebook.com/newenglandnomad/

https://www.instagram.com/new.england.nomad_/

https://www.youtube.com/@WaynoTV

If you want to see more photography or post your photography, join my photography group on Facebook

https://www.facebook.com/groups/1289904897817614

6 Comments | tags: gnomes, Massachusetts, New England, photographs, Photography, photos, Salem, travel | posted in gnomes, Massachusetts, New England, photographs, photography, photos, Salem, travel, Uncategorized

September 23, 2025

7th Annual Salem Lawn Party (Salem, MA)

By New England Nomad

Date Of Event: September 13, 2025

Location: Salem Commons, N, Washington Square, Salem, MA (about 40 mins northeast of Boston)

Cost: Free

Dog Friendly: Yes

Summary: People enjoyed dancing, music, lawn games, classic cars and a vintage marketplace at Salem Commons earlier this month.

The annual Salem Lawn Party was the tops! People celebrated in their best vintage clothing and dusted off their dancing shoes! In fact, if you didn’t know any better, you might think it was the 1920s. But, the biggest attraction wasn’t the dancing nor was it the other activities such as the lawn games. No, one other thing took center stage.

The cars are always a popular attraction at the event! People love to walk around the cars, sometimes even being able to sit in them. So, it took me a long while to be able to take this photo without people being in the way.

What would a vintage lawn party be without some swinging music? Annie and the Fur Trappers provided the musical entertainment and kept the party going.

People were dressed to the nines in their finest vintage wear.

One of the more nattily dressed people at the party was Moustache Mike. Mike’s suit was slightly different than most suits, though. People could write on his suit. In fact, he encouraged it!

In addition to all of the positive and fun messages on his suit, there was some signatures from some very popular with ties to Salem. The famous Addams Family of Salem signed his suit!